I think few could argue that Scarlett Johansson is a real movie star and has proven herself more than capable in many types of roles. However many will know her as one part of Marvel’s Avengers alongside the likes of Captain America, Thor and Iron Man. However unlike those characters, Scarlett’s Black Widow hadn’t until now got her stand alone origin story. This finds Natasha Romanova / Black Widow being hunted down by the shady organisation that turned her into an assassin, leading her to explore her own past and confront the broken relationships she thought she’d left behind.
Midsommar’s Florence Pugh plays Yelena, the estranged sister of Black Widow and it has to be said steals the show with her personality and sarcasm, and the banter that occurs not only between the two females but also with David Harbour’s Red Guardian proves this movie’s best aspect. Add to this some decent action, with a stand-out prison break sequence, and this was ticking my boxes.
Unfortunately the plot wasn’t very engaging with what was happening and why not pulling me in. Also Ray Winstone’s villain was rather forgettable. Although the mysterious henchman ‘Task Master’ was much more interesting. Yet as an origin story, this failed to delve into the character of Black Widow, only showing glimpses of her training or much of her upbringing. As a Marvel movie however, this still delivers the necessary spectacle, slick action and fun moments – but overall felt a bit under-developed with occasionally lazy writing. For fans of the MCU this is worth seeing, but adds so little to the whole narrative it’s far from essential.
2020 has been a very strange year, due to a global pandemic resulting in the pushing back of big names movies, closing cinemas or forcing some movies to get released on streaming platforms for a premium price. So watching movies hasn’t been as simple or as accessible as we’ve been used to. During the year I’ve found myself watching older catalogue titles on Blu-ray or focusing more on TV, gaming or doing challenges like my A-Z challenge during the summer.
However that doesn’t mean I missed out on some quality movies, and the count down that follows, showcases for me the cream of the crop. Please note these are movies i enjoyed the most during the year … but some may have been released earlier than 2020.
Birds of Prey
Ford V Ferrari (aka Le Mans ‘66)
Fighting With My Family
Jo Jo Rabbit
Honourable mentions: Greyhound, Incident in a Ghostland
Well there you have it. Here’s to hoping 2021 goes a little more smoothly. Like 2020, I think we’re in for some treats as far as movies are concerned and of course I’ll try and watch and review as many as I can. Happy New Year folks!
The sport of Wrestling has ever really appealed. The most exposure I ever had to it was seeing Big Daddy lay the smack down on World of Sport when I was a kid. However it has to be said, the sports movie has often been surprisingly great, and this little gem is no exception. The true story of the rise to fame of female wrestler Paige, who from humble beginnings with her wrestling obsessed family in Norwich, gets plucked by a coach who sees something special in her and gives her a chance to try out for a place in the WWE.
Florence Pugh, who first caught my eye in the unsettling Midsommer is great here as is her support cast including Vince Vaughn and Nick Frost. I especially enjoyed the bond Paige has with her brother and how it gets tested through the course of the story, leading to some quite heart-wrenching moments. It’s also laugh out loud funny in places, helped by a sharp script from Stephen Merchant (who also directs).
As a rise-to-fame journey, yeah it’s cliched with a believing in one self ark and a coach / mentor who’s tough yet secretly a nice guy … but that’s not always bad if it’s handled as well as this. A highly entertaining, well acted and feel good experience I couldn’t wait to talk about. A must see.
Following a family tragedy, a female student agrees to go on a trip to Sweden with her boyfriend and his friends to attend a religious festival at a secluded commune. However once there she begins to witness the community’s unusual ceremonies and suspect not all is what it seems.
The second movie from Hereditary director Ari Aster certainly has influences from The Wicker Man, with its focus on Pagan rituals, and also bares resemblances to religious cults like The Manson Family and Heaven’s Gate. Yet Aster also sprinkles it with his own ideas and haunting imagery and with an exploration of human drama at the centre of the horror, like Hereditary this again disturbs. Lead actress Florence Pugh is mesmerising as someone already dealing with grief, faced with uncertainty in her relationship and then unfamiliar surroundings that initially seem exactly what she needs – and then something else entirely. The movie also explores passive-aggressive behaviour amongst the various characters which only adds to the tension.
It is a bit long at over 2 and a half hours, and gets predictable towards the end with a little too much foreshadowing … but direction is effective with great use of sound, unconventional editing and (cleverly) daylight to build unease. A movie that further cements Ari Aster as one of the most interesting horror directors working today.
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