We’re certainly in a new era, with the ability to watch the latest Pixar movie directly on your TV, with the advent of streaming services such as Disney Plus. So when I noticed this latest effort had appeared, I decided to give it a watch. Mei-Lee is a young Chinese girl living in Canada who lives for life, her friends, school and her deeply traditional family. However one morning she wakes up to discover she’s transformed into a huge red panda.
As an exploration of puberty, growing from a child into adolescence, this is fairly obvious but done well, retaining a great deal of fun whilst exploring a delicate subject. Pixar’s animation is top notch as usual and this time seems to have a Japanese anime influence. Mei-Lee is initially a bit of an annoying character but quickly proves sympathetic and endearing. It perfectly captures superficiality of teen crushes, boy band obsession and friendship, complete with over-protective parents and breaking the rules in order to grow and develop. It also reminded me of Teen Wolf at times.
Voice acting throughout is decent despite lacking celeb names bar veteran James Hong as Mei-Lee’s grandfather. On a whole this also felt slightly low-key compared to the usual Pixar blockbuster, but was no less entertaining. Check it out.
A family living in the Colombian mountains have been blessed with the magic of the Encanto, all except Mirabel. However, she soon may be the family’s last hope when she discovers that the magic surrounding the Encanto is now in danger.
An interesting premise drew me in and although it kind of falls into typical Disney tropes after a while, I was totally absorbed by the setting and the wealth of ideas and visual spender. Just to look at, this is nothing short of stunning, full of colour and imagination. The character designs, showcasing the multi-cultural people of Columbia is top notch (aided by some great song & dance numbers). Main character Mirabel will also likely become a personal favourite – and I loved the family members and their various magical abilities.
It’s a shame then that it’s in its story where this stumbles. As a Disney movie with no actual villain, the stakes never really seem high, and the reasoning surrounding why Mirabel didn’t receive her magic ability, I was left scratching my head about. However the ending was really feel good and I still managed to have a good time with this.
There, I admit it … I have a bit of a crush on Emma Stone. As one of the most versatile, likeable and talented actresses around, it’s difficult not to fall for her charms. This latest vehicle, an origin story of notorious Disney villain Cruella DeVille from 101 Dalmatian has Stone playing Estella, an orphaned girl with dreams of making it big in the fashion industry. However what starts out as a sort of ‘Devil Wears Prada’ tale turns into something else entirely when Estella finds herself pitting her wits against famed designer The Baroness who may or may not be linked to Estella’s mother’s untimely death.
La La Land’s Emma Stone is clearly having a ball here, paired wonderfully with Emma Thompson’s Baroness, both of which chew up the scenery with their vivid characterisation. This has a throwback Disney setting with the cor-blimey-gov’nor of Mary Poppins London but given a dark Tim Burton-like twist. Stone’s journey from Estella’s street kid / thief to fashion rebel Cruella is an interesting one. Yet at times some of the one-upping and rivalry between the Baroness and Cruella gets a bit silly, and Stone’s forced upper-class English accent can grate.
However, with an engaging 70s soundtrack spanning everyone from The Clash to Nina Simone, plenty of energy and character (Cruella’s two sidekicks are great fun), and a wealth of fun dog moments (of course), this was still highly entertaining. It’s a bit long at almost 2hrs and 20 minutes but rarely drags and had enough story, twists and fun sequences to keep this viewer glued. One to watch.
I’ve always enjoyed animation and few can argue that Disney (and Pixar) still lead the industry when it comes to animated movies. This latest offering tells the story of Raya, a young girl who grows up amidst fantastical tales of dragons who saved the world from an evil force that once turned people into stone. However their actions also lead to their mysterious disappearance, and when warring factions cause a sacred crystal to get damaged, the evil force returns to reclaim the land. Raya then takes it upon herself to seek out the fabled ‘last dragon’ in hope of banishing the evil for good.
With a Far Eastern theme, similar to Mulan, this gorgeous looking, mystical fantasy adventure had it all. An engaging story, fun characters and some great action with a strong influence from Chinese cinema hits like Crouching Tiger, Hidden Dragon. Raya (voiced by The Last Jedi’s Lisa Marie Tran), at first seems typical Disney Princess, yet develops into a fleshed-out and likeable lead, aided well by a bunch of quirky characters, including a mischievous baby, a lovable warrior from a rival clan … and especially Sifu as the Last Dragon, who proves this movies shining beacon.
It may not re-write the rule book when it comes to this kind of thing, and it’s themes of trusting / believing in one another are cliched … but done particularly well here, especially towards the end where I must admit it got me quite emotional. Another slam-dunk then for Disney, and possibly one of my favourites in a while from the house of mouse.
Its difficult reviewing animated movies, because the quality is often so high, it’s tempting to just rate them all the same. So I tend to be a bit harder on them that some other movies. This unusual story presents an enchanted, fairy tale world that turns its back on magic, favouring technology to develop very much like the regular world. So people have jobs, there’s police, shops, fast food restaurants etc. On his 16th birthday, young elf Ian is given a present from his Dad who died of an illness before he was born, and it turns out to be a wizards staff. After reciting a spell that’s meant to bring the dad back for one day only … the spell goes wrong and only half of the dad’s body comes back – literally from the waist down. However his big brother Barley says there’s a way of completing the spell and so a quest unfolds to resurrect their dad before the sun goes down.
Like Monsters Inc and Inside Out before it, this presents a world full of character and personality. Again it’s a feast for the eyes and full of memorable side characters, pop culture gags and references – but it’s the unique idea that’s the winner; a caper comedy that’s weirdly a lot like 80s comedy Weekend at Bernies. Some moments, especially the freeway chase with the biker sprites certainly had me laughing out-loud. Yet underneath the visuals and gags lies a great deal of heart – something Pixar have always been masters of.
Tom Holland as Ian is perfect, but is overshadowed by Chris Pratt’s Barley who turns a potentially irritating loud mouth of a character into someone I really cared about. Julia Louis-Dreyfus is also good as the two brother’s Mom. The ending also turns the story on its head to deliver an emotion-heavy and wonderfully bittersweet conclusion. So there you have it – damn, another Pixar gem that shouldn’t be missed! Sigh.
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