So with a slight update to my usual ‘update’ heading on here … I thought I’d do a post about what things have been peaking my interest of late. Let me firstly get out of the way the awesome news that my favourite band, Garbage are this summer going on tour with legendary 70s / 80s band ‘Blondie’ fronted by none other than the iconic Deborah Harry. Yes, THE Deborah Harry. Now, Shirley Manson has previously been on stage with this singer and former actress, and they are old friends from way back, so I suppose their imminent teaming up for what has been titled the ‘Rage & Rapture’ tour should have been an easy guess. This for me is two generations of a similar band, at least as far as a female-fronted, otherwise male orientated bands are concerned and there are certainly some similarities to Shirley Manson’s singing-style and that of Deborah Harry’s. So for any fan of either group – these are going to be shows not to be missed! More info: Click Here.
In other news I picked up the eagerly anticipated Resident Evil 7: Biohazard last Friday and have been nervously enjoying this scare-fest ever since. It’s of that recent trend for genuinely unnerving and scary horror games as apposed to the action-orientated style the series had gradually become known for, and is probably more like the very first game, what with secluded mansion to explore and limited ammo etc. I’m playing it on Xbox One and having a great time with it. It drips with atmosphere and the dark and gloomy visuals and accompanying eerie sound design have me on the edge of my seat.
On the music front I’ve been enjoying albums from Blossoms, Tegan and Sara and Two Door Cinema Club in my growing journey to broaden my horizons and discover different artists than purely my beloved Garbage. It’s fun finding out what’s out there and Apple Music is helping me do that perfectly.
TV-wise I’m getting into the latest series of Homeland, a firm favourite and also gritty British period drama Taboo starring Tom Hardy, which will do me nicely in the run up to The Walking Dead and eventually the return of Game of Thrones.
Other than work, that’s pretty much me for now. Come back soon and I’ll tell you a little more.
David Cronenberg has easily cemented himself as one of the most challenging and daring directors to have ever gained mainstream popularity. Perhaps still most famous for the Jeff Goldblum remake of The Fly, this Canadian born visionary film maker has for me, made some of the most powerfully bold and disturbing interpretations of horror I have seen. This 1982 effort saw him break out from obscure fair like The Brood and Shivers and finally deliver his own distinct voice.
Starring James Woods and Deborah Harry (of Blondie) this follows the story of Max Ren, a sleazy cable TV executive on the look out for new material for his network. One day he stumbles upon Videodrome, a broadcast that appears to be purely torture and violence – the exact kind of material he thinks his viewers will want. Only thing is, Videodrome comes with a deadly signal that causes horrific and freakish hallucinations in anyone who watches it.
Despite a meagre budget and fairly basic production values, Cronenberg lavishes the whole movie in a visual style that presents television as a strange new villain in a way that the internet could be perceived the same today. This movie was ahead of it’s time in it’s themes of living through another medium, and even one character refers to us all having different names that we’ll one day take on, sort of like avatars in a chat room. It’s very cleverly observed. Cronenberg tried to lesser extent to bring such ideas into the modern age in his sort-of sequel Existenz which explored videogames instead of television, but it’s here that his concept is at it’s boldest. Deborah Harry is provocative, sexy and daring, not afraid to shed some clothing and portray herself as a self-harming adrenalin junkie, and Woods is perfect as the guy who takes a bite out of the forbidden fruit. Acting isn’t exactly stellar though and supporting cast are amateurish at best. It also get’s a little lost in it’s own hallucinatory world towards the end. But with still impressive make-up work from An American Werewolf In London’s Rick Baker (bar the dodgy gun-hand-thing) and some creative gore along with a few ingenious effects (the breathing TV) – this still had the power to shock and creep this viewer out, even all these year’s later.
This Arrow Video release comes in a limited edition collector’s packaging that has a detailed hardback book exploring the film and Cronenberg’s career with fresh interviews and archival text. The movie has always been in great shape and the same can be said here in a very vivid and clear image with equally crisp sound even if it’s only in mono. Arrow, swiftly becoming my go-to company for great treatment of genre classics, has once again pulled no punches with this release and the extras are simply exhaustive. A commentary by critic Tim Lucas, a number of detailed featurettes and documentaries, behind the scenes footage, a deleted scene and in this limited edition set a few of the director’s early short films. In a word: impressive.
Mensen maken de samenleving en nemen daarin een positie in. Deze website geeft toegang tot een diversiteit aan artikelen die gaan over 'samenleven', belicht vanuit verschillende perspectieven. De artikelen hebben gemeen dat er gezocht wordt naar wat 'mensen bindt, in plaats van wat hen scheidt'.