The Game


Viewed – 22 August 2017  Blu-ray

20th Anniversary Edition

As an admirer of director David Fincher, this thriller from 1997 was one of those movies I’d forgotten he’d actually made.  At the time still riding high after the success of Seven, this rather high-concept but somewhat under-the-radar effort proved an obvious follow up; throwing in all the traits we’d come to expect from the director – bags of style, a twisting narrative and an attention to detail that has him often compared to Stanley Kubrick.

The-Game

Michael Douglas stars as wealthy businessman Nicholas Van Orton, a guy who seemingly has it all but is ultimately cold and miserable.  That is until on the day of his birthday, his brother, played by Sean Penn gives him the gift of ‘the game’.  Baffled and intrigued at the same time, Nicholas agrees to attend an interview at the organization responsible … and so sets into motion a unique thriller that clearly borrows from the likes of Hitchcock as Nicholas struggles to stay one step ahead of an increasingly bizarre series of events.

I’ve always liked Michael Douglas and he’s very good here, proving complex and likable for a character that is otherwise mean spirited and selfish.  Penn hams it up a little bit but proves enjoyable and Deborah Kara Unger is also decent.  The idea itself is great but ultimately isn’t fully realised and despite Fincher’s assured direction and best intentions … it could have gone further, been more elaborate but sticks rigidly to plausibility for the most part (despite throwing all that out the window for the final act).  Not one of Fincher’s best but still worth a look or revisiting for the concept or if you’re a fan of either Douglas or Fincher.

The Blu-ray boasts a quality image despite the occasionally soft-looking exterior or wide angle shots.  Close-up detail is good and dark scenes offer plenty of detail.  The movie is delivered in DTS Master Audio 5.1 and is for the most part punchy and immersive, even if in certain scenes dialogue gets a little lost in the atmospherics.  Extras consist of merely a couple of trailers – very poor, but perhaps not surprising for one of the director’s more over-looked movies.

Verdict:

(the movie)  3.5 /5

(the Blu-ray) 3 /5

10 directors who have shaped my movie viewing tastes


Inspired by a recent post over at abbiobiston.com, I thought I’d sit down and list ten movie directors I either seek out without hesitation, or have made some of the most affecting and inspiring movies I’ve ever seen, shaping what kind of movie viewer I am today and creating experiences that have transcended basic entertainment to actually mean something to me as a person.

Quentin Tarantino

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As a reviewer, occasional-writer and movie fan, Quentin Tarantino ignited a spark inside me that has yet to go out.  When first seeing Pulp Fiction, I knew this was the sort of material I wanted to write about, and this continued with his script for Natural Born Killers and also his debut, Reservoir Dogs.  He was a rebel, he challenged people’s ideas of what violence was all about on screen, not there for just shock value but to make you feel something.  He managed to back this up with amazing dialogue writing skills and a keen eye for pop-culture and cinema history that has continued to this day.

David Cronenberg

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Horror for me was never just about hiding behind my cushion and trembling – horror for me was about the strange and surreal, the gruesome but in a way that made you ponder what it meant.  Croneberg has always been a master of this, of using body-horror to make you feel something you’ve never felt before, backed up by intelligent direction that more often than not has a lot of social commentary of the times we live in i.e. sexually transmitted infections with Shivers.  He has continued to shape his often controversial style into the modem gangster and crime genres to brilliant effect in movies like Eastern Promises.

Stephen Spielberg

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Probably the most famous director of all time who seems to barely put a foot wrong and can turn his hand to a wealth of different genres and subjects, from the industry defining Jaws and Jurassic Park to powerful masterpieces like Saving Private Ryan and Schindler’s List.  Assured, confident and always entertaining and thought-provoking, this maverick director continues to be a name to bet on even after almost 40 years in the business.  As long as we don’t mention the most recent Indiana Jones movie, Spielberg remains one of those names every movie fan will know and surely appreciate to some degree.

John Carpenter

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Fallen from grace he may be, but during the seventies and eighties, this guy made some of the coolest and most sort after movies I’d ever seen.  Who can argue the merits of Halloween, The Thing and Big Trouble In Little China?  Although I can’t say I totally appreciate Escape From New York as much as others, I have a soft spot for lesser known efforts like Prince Of Darkness and In The Mouth Of Madness.  This guy knew how to create perfectly entertaining genre movies and although he hasn’t made much of note for years, that’s a hell of a back catalogue of classics.

David Fincher

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Although I think he’s become a bit relaxed in recent years, churning out fairly ‘safe’ movies, for the most part Fincher has still created some of the most stylish and intricately directed movies I’ve seen, namely the multi layered classics Fight Club, Seven and even Zodiac.  His directing style is crisp and beautiful even when it’s dealing with very dark subject matter, and his camera work and imagery have stayed with me long after the credits have rolled.  He’s a technical directing fan’s dream director, as for me I can appreciate every aspect of the setting, the camera work to the music and lighting.  Helps he can also pull out great performances from the likes of Brad Pitt and Jake Gyllenhaal to name but a few.

Stanley Kubrick

stanley kubrick

With a fairly small catalogue of movies, this director like no other has made some of the masterpieces of my lifetime.  The Shining is still the best horror movie I’ve ever seen and probably the most perfectly directed, on a technical level movie I’ve seen also.  His strong visual skill at making every shot and every camera movement look so well executed has made movies even of lesser impact like Eyes Wide Shut a work of art.  He proved again and again that careful eye for detail, iconic performances can turn even a well worn subject like the Vietnam war into amazing cinema.  I haven’t seen everything he’s done, but of the movies I have, he keeps on amazing me, and is possibly the best director on this list.

Dario Argento

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Perhaps at his best during the seventies and eighties, but this often controversial director has gained a strong cult following over the years and remains one of the most stylish and genre-defining film-makers around.  At his best he can make gruesome murder look beautiful, and his frequent collaborations with the band Goblin and musician Claudio Simonetti has helped create a brand of effective Italian cinema that still stands the test of time.  Try watching Suspiria or Tenebrae without marvelling at the camera work, atmosphere or use of lighting and music.  Argento will always be the maestro when it comes to horror, even if his light has considerably faded over the years.

Martin Scorsese

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The Don.  How does this guy keep doing it?  To this day Scorsese still manages to amaze and impress.  He has crafted true classics such as Taxi Driver and Goodfellas and still manages to churn out quality movies like Shutter Island and The Wolf Of Wall Street.  It’s always exciting when I hear he’s making another movie and even diversions like Hugo retain that Scorsese eye for style and cinematic creativity I’ve grown to love about him.  He has a tendency to work with the same actors but also manages to bring out wildly different performances from them, that give each movie their own voice.  One of the best film makers of all time in my opinion.

Joel & Ethan Coen

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In recent years their brand of southern comedy and thrillers has felt a tad hit and miss, but when these sibling directors are on form, they can make some of the best movies you’ll ever see.  Comedies like The Big Lebowski and Raising Arizona offer up laughs as well as style and assured direction along with iconic performances, and thrillers like Fargo and No Country For Old Men prove they can deliver tight, well executed stories that pack a punch.  They continue to be favourites at Oscar season and amongst a huge cult audience, and with a strong visual style and often award winning performances, their movies are hard to dismiss.

Park chan-Wook

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Another director who can explore very dark themes but make them beautiful with imaginative camera work, scene setting and particularly artistic shots.  His American debut Stoker is a perfect example of strong story, strong performances and beautiful, almost poetic direction.  His vengeance trilogy that incudes the cult classic Old Boy is powerful, gut-wrenching but extremely moving and artistic, blending classical music with striking story-telling and stunning cinematography.  Park chan-Wook’s the real deal if you can appreciate quality direction with a signature touch.

Gone Girl


Viewed – 07 October 2014  Cinema

I wasn’t at first that fussed about this adaptation of the best selling novel, as I’m not the biggest Ben Affleck fan and usually any surrounding hype means I’ll generally not rush out to see.  Then I read a review and discovered one of my favourite directors was at the helm.namely David Fincher.  Forgiving his somewhat disappointing effort with The Girl With The Dragon Tattoo, generally Mr Fincher not put a foot wrong, with Fight Club and Seven being firm favourites.

Gone-Girl

Ben plays a regular blue-collar guy who one morning arrives home to discover his beautiful wife (Rosamund Pike) has vanished, leaving in her wake evidence of a struggle.  Before long a media-circus surrounds her disappearance and Ben has to go on TV to seek out help in finding her, whilst all the time the public and the news scrutinize his every move.  Fincher’s expertise with a complex and investigation-heavy narrative makes this instantly absorbing and I was really pulled into the plight of Ben, his sister and the media attention.  Questions are raised and clues are discovered and like me you’ll have your own theories as the story progresses – but with the weight of the novel behind it, there’s more to this baby than meets the eye.  Affleck is very good in one of his more multi-layered roles and proved a lot more convincing than I’ve seen from him for a while.  Rosamund Pike is also first rate, even in flash back; beautiful, sexy and suitably vulnerable.

Towards the end some revelations seemed a tad rushed and there was a weird vibe to the final act that felt hard to roll with – was I meant to be amused or disturbed?  Also that ending left me with more questions than answers … probably not helped by some of the book’s event’s being glossed over (the stalker, the parents…).  However this remains a brilliantly acted and at times very powerful thriller with Fincher (helped immeasurably by Trent Reznor’s creepy score) very much back on form.

Verdict:  4 /5

A small update


Sorry for the lack of posts recently.  Been a bit busy sorting out some family / personal stuff but I think I’m getting somewhere finally.

I’m hoping to go and see the David Fincher / Ben Affleck hyped thriller ‘Gone Girl’ soon and also have my eye on the supernatural horror ‘The Babadook’ which is getting good reviews.  Other than that may do a write up about the new TV (need to actually watch a movie on it!) and then will eventually get around to other movie reviews such as the aforementioned The Wind Rises.

That’s all for now.  Keep your eyes peeled for more posts soon!

Craig.

Ten of the best


Top Ten lists are sort of something I enjoy doing, especially at the end of each year.  But Top Ten Favourite Movies of all time?  Harder.  I used to have a list a while back of which some of the movies below used to appear on.  Yet I gave up putting them in a particular order as they are so different some of them, comparing is impossible.  So find below Ten movies I think have had the greatest effect on me, either growing up, inspiring me (writing, movie tastes) or just hitting me on an emotional level.

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Fight Club

Made me a big fan of the movies of David Fincher and has arguably Edward Norton’s finest turn.  Style, effects work in a movie that didn’t need it, a great soundtrack, that twist and endlessly quotable.

Gran Torino

Emotional, heart-wrenching, funny, touching with one of Eastwood’s best performances.  The cast of newcomers surrounding him are also first-rate.

gran torino

21 Grams

Complex and twist-filled with three stunning performances (especially Naomi Watts) and a script that is quite literally genius.  Tough going but well worth the journey.

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Pulp Fiction

Possibly still my all time favourite movie.  The dialogue is amazing, funny, very cool and  believable.  The sound track is stuff of legend and performances across the board are superb.

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Leon

Natalie Portman’s debut.  Ice-cool, Gary Oldman’s looniest but greatest villain, Jean Reno as a lovable assassin and Luc Besson on stunning form.

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Annie Hall

All of Woody Allen’s best ideas, cleverest dialogue and touching observations rolled into one perfect movie.  Diane Keaton is excellent and Allen has never been funnier.

Annie-Hall

Terminator 2: Judgement Day

James Cameron fully realising Terminator … stunning effects work, amazing action sequences, Arnie at his best, Linda Hamilton as the most bad-ass female role model since Ellen Ripley.  The ultimate sci-fi blockbuster.

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Blue Velvet

Weird but one of David Lynch’s most coherent works, with a great cast (Hopper is just plain nuts) and haunting music and a dream-like atmosphere.  Sexy and disturbing just how Lynch should be.

blue-velvet

Goodfellas

The finest gangster movie ever made, fast, packed with ideas, dialogue, people getting wacked, great dialogue and great performances throughout.  Martin Scorsese at his very best.

goodfellas

The Shining

Stunningly filmed, creepy as hell, scary, with an amazing Jack Nicholson and a true directing auteur in the shape of the late Stanley Kubrick.  The best horror movie ever made?  Quite possibly.

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