True Romance


Viewed – 21 July 2021 Blu-ray

In the early to mid nineties, one name seemed to reignite cinema as we know it and seemed to make movies exciting again. That name was Quentin Tarantino. At the time his movies, both those he directed and the ones he simply wrote, influenced me in my own writing. Most notably this lovers-on-the-run thriller from 1993. Directed by the late Tony Scott (brother of Ridley Scott) this tells the story of Elvis-obsessed Clarence (Christian Slater) who after falling for newbie call girl Alabama (Patricia Arquette) decides to confront her pimp, Drexel (Gary Oldman) to reclaim her belongings … yet after the meeting goes horribly wrong, Clarence comes into accidental possession of a suitcase full of cocaine.

This is shot with Scott’s distinct style; smokey interiors, sunsets, garish colours and soft focus. Something he put to great effect in movies such as Top Gun and The Last Boyscout. He’s also a great fit for Tarantino’s snappy, pop-culture filled script, helping to get the most out of a colourful cast, which also includes Dennis Hopper, Christopher Walken and even a stoner cameo by Brad Pitt. There’s many stand-out scenes here, such as the now iconic Sicilian scene between Walken and Hopper, many quotable lines (“I like you Clarence, always have …always will!”), and even side characters seem to jump off the screen. However, I’ve always felt the movie is held back a tad by the fact Clarence comes across as a bit of an asshole sometimes. It also didn’t feel right how easily Alabama dismisses certain crazy things Clarence does. Yet as an unconventional love story, and despite their flaws, I still found myself liking these guys.

Like Natural Born Killers, Reservoir Dogs etc, at the time this came under fire by the censors for its violence, and yes it’s violent (especially the Tony Soprano vs Alabama scene) but it’s all larger than life, and by today’s standards – rather tame. Yet this is still one of Tarantino’s most entertaining scripts, and remains a nineties classic well worth your time.

The newly restored 4K release from Arrow Video is a difficult one to judge. Mostly due to Tony Scott’s directing style which delivers an overly soft, yet noticeably grainy image. The HDR implementation does seem to bring out the colours, and overall detail is good, if not exactly reference quality. Soundtrack in 5.1 DTS HD Master Audio is crisp, and the various scenes involving music really deliver (Drexel’s club especially). Extras are plentiful, many of which are carried over from the previous Blu-ray, including deleted scenes, interviews and four commentaries, from Scott, Arquette & Slater, critic Tim Lucas and most notably one by Tarantino himself. New to this version are additional interviews with behind the scenes crew members, co-stars and fans of the movie. We also get art cards, a detailed 60 page booklet, double-sided poster and deluxe packaging.

Verdict:

(the movie) Recommended

(the Blu-Ray) Recommended

A-Z Challenge – update 3


Well, this is becoming quite the challenge for me personally. I’ve now reached letter S having ploughed through 7 more movies. Revisiting La La Land for L was surprising in how much I enjoyed it and appreciated the story second time around, and would now rate it higher than my existing review. For M, Mission Impossible Fallout was an easy pick as I’d brought it on Blu-ray awhile back and not got around to watching it. Yes just as good if not better on second viewing.

La La Land

Reaching N … I chose another Alfred Hitchcock classic, North By Northwest … an exciting man-in-the-wrong-place mystery thriller with Cary Grant that was a lot of fun. O was one my most disappointing movie of last year, Once Upon A Time In Hollywood, and although I enjoyed it a little bit more, it overall didn’t work for me and I stand by my initial review.

I recently reviewed Parasite, my letter P and was overall impressed with it, despite a somewhat far-fetched ending. Q was the mostly reviled Bond outing Quantum of Solace, a movie I still think is ok but the story is weak and unengaging even though Daniel Craig is still good and some of the action is great. Then we came to R and I chose the Spanish found-footage horror [REC] a movie I really like even if subsequent viewings do dilute the experience for me.

Now will I get the remaining 8 movies watched by June 30th? I guess we’ll have to wait and see.

Bottom Ten Movies of 2019


It wasn’t all home runs for the movies I watched in 2019. Not all here are ‘bad’ movies they just either underwhelmed or disappointed me compared to other movies in 2019. Listed in order of disdain

10.

Aquaman

 

9.

Men in Black: International

 

8.

The Highwaymen

 

7.

Cold Pursuit

 

6.

3 From Hell

 

5.

Extremely Wicked, Shockingly Evil and Vile

4.

Blackkklansman

 

3.

Climax

 

2.

The Equalizer 2

 

1.

Once Upon a Time in Hollywood

Once Upon A Time In Hollywood


Viewed – 14 August 2019. Cinema

Quentin Tarantino is for the most part probably my favourite director and has had very few missteps in a career that’s spanned over twenty years and so far 9 movies (if you count Kill Bill 1&2 as one movie). So it was with some degree of excitement I sat down to see his latest. Leonardo DiCaprio stars as Rick Dalton, a washed up Western actor reaching the end of his career and along with best friend and stunt-double Cliff (Brad Pitt), they attempt to continue working in an ever changing industry. Meanwhile, a religious cult threaten to shatter the glitz and glamour and bring the Hollywood dream and sixties with it, to an abrupt and bloody end.

With knowledge of the real life murders and that of Charles Manson’s cult I thought this was perfect material to get the Tarantino treatment. Imagine my surprise then to discover that that aspect barely fills up even a quarter of this long, drawn out movie’s 160 minute run time. Which would be excusable if what we get otherwise pulled me in at all. Here, Tarantino is at his most self-indulgent and selfishly nostalgic, revelling in a Hollywood I’m guessing many of us won’t even recognise, name dropping tv actors I’d never heard of and even doing a deserving to those I had (Bruce Lee is pretty much relegated to gag-fodder). Margot Robbie turns in an appealing, sexy but otherwise redundant performance as Sharon Tate, wife of director Roman Polanski and the most famous victim of the Manson Family murders. Even the dialogue lacks the usual flow and zip of a Tarantino script, that whilst natural sounding, in a movie that basically has little to no actual plot, it really needed to shine. Also, if your idea of entertainment is to watch Margot Robbie for longer than necessary watching herself in a movie theatre, or countless women show off their bare feet, Brad Pitt drive (and drive) around Los Angeles or feed his dog, and DiCaprio cough a lot … then more power to you. The ending will also divide audiences for sure yet I suppose I get what Tarantino was going for … even if it kind of pissed me off.

So, Tarantino’s apparent ‘love letter’ to late sixties Hollywood somehow does the unfathomable and makes the behind-the-scenes lifestyle of the movies actually look boring, Pitt & DiCaprio are fine, but even they look like they’re only here to do a friend a favour and collect a pay cheque. It’s real redeeming feature then is often impressive camera work, because shock – even the soundtrack gets a bit annoying. Definitely the director’s weakest effort since Death Proof – and at least that was more fun. Disappointing.

Verdict: 2.5 /5

Allied


Viewed – 04 April 2017  online rental

The movie that’s probably more famous for ‘allegedly’ causing the break up of Brad Pitt & Angelina Jolie’s marriage than it is for the story or movie itself.  This WWII set drama follows a U.S. soldier who after being thrown together with a French agent during a top secret mission, falls in love with said agent and subsequently marries her on return to London.  However a year into their marriage with a baby in tow, the soldier’s superiors inform him they’ve intercepted information that suggests his wife might be a Nazi spy.

allied

Directed by Robert Zemeckis (Forest Gump, Back to the Future) this was a fascinating and engrossing story let down a tad by (surprisingly) not all-that convincing chemistry between the principal leads and somewhat limited production values where several scenes look like they are on a set or in front of green-screen (the desert sequence especially).  Pitt, one of my favourites seems to have been phoning it in of late, with his less than stellar turn in the otherwise enjoyable ‘Fury’ and that follows on here.  I don’t know what is going on, perhaps it’s his at the time choppy personal life bleeding into production, but for the most part he looks bored.  Thankfully Marion Cotillard is much more convincing and considering the suspicion surrounding her character, pulls it off brilliantly both as a believable loving, sexy wife and perhaps something else.  The mystery does however get wrapped up very easily and what appeared on the surface to be a solid concept seems to run out of depth as it nears it’s conclusion.

For the most part though, as a fairly well observed drama, with several tense situations and a some surprising violence … this still managed to entertain.  It just could have been even better if Pitt had really gone for it.

Verdict:  3 /5