Following a family tragedy, a female student agrees to go on a trip to Sweden with her boyfriend and his friends to attend a religious festival at a secluded commune. However once there she begins to witness the community’s unusual ceremonies and suspect not all is what it seems.
The second movie from Hereditary director Ari Aster certainly has influences from The Wicker Man, with its focus on Pagan rituals, and also bares resemblances to religious cults like The Manson Family and Heaven’s Gate. Yet Aster also sprinkles it with his own ideas and haunting imagery and with an exploration of human drama at the centre of the horror, like Hereditary this again disturbs. Lead actress Florence Pugh is mesmerising as someone already dealing with grief, faced with uncertainty in her relationship and then unfamiliar surroundings that initially seem exactly what she needs – and then something else entirely. The movie also explores passive-aggressive behaviour amongst the various characters which only adds to the tension.
It is a bit long at over 2 and a half hours, and gets predictable towards the end with a little too much foreshadowing … but direction is effective with great use of sound, unconventional editing and (cleverly) daylight to build unease. A movie that further cements Ari Aster as one of the most interesting horror directors working today.
It’s easy to be skeptical these days when a horror movie gets a lot of hype. However this was getting some very good word of mouth and even Oscar buzz for its lead Toni Collette (The Sixth Sense). So I took a leap of faith and picked up the Blu-ray. This story follows a family coming to terms with the death of the grandmother which casts a matriarchal shadow who’s passing proves polarising to family members, especially Annie (Collette) and youngest daughter Charlie. However as grief and tragedy sinks its claws in, a disturbing past reveals itself.
The directorial debut of newcomer Ari Aster this carefully observed and eerie family drama-come-horror feels like the work of a seasoned pro, not a relative newcomer. The camera work, shot framing, set design and atmosphere is all first rate. It’s a fairly simple tale and may not exactly go places we haven’t seen before, but boasts several top-tier performances and brilliantly staged scares. Toni Collette may be a tad OTT at times and well, Alex Wolf can’t cry for toffee, but with a subtle, understated but convincing dynamic of a troubled, dysfunctional family’s descent into madness … I was left punch-drunk as the credits rolled.
It gets a little hokey at times what with some bizarre CGI and some plausibility going out the window in the final act. Yet the writing plays cleverly with expectation and cliché, leading this viewer in one direction with genre staples like creepy kids and miniature model houses, before sending expectations spiralling to a conclusion filled with nightmare-inducing imagery. It however failed to completely get under my skin and isn’t as scary as it thinks it is … but in all other aspects this was incredibly effective.
Mensen maken de samenleving en nemen daarin een positie in. Deze website geeft toegang tot een diversiteit aan artikelen die gaan over 'samenleven', belicht vanuit verschillende perspectieven. De artikelen hebben gemeen dat er gezocht wordt naar wat 'mensen bindt, in plaats van wat hen scheidt'.