Following the death of his father, Prince T’Challa aka Black Panther returns home to claim his birth right and become king of Wakanda. However when news surfaces of a terrorist who has stolen some of his homeland’s resources, T’Challa (Chadwick Boseman) springs into action to stop his home’s sacred power being used for evil.
This has had a great deal of attention and is now one of the highest rated Marvel movies on RottenTomatoes.com, surprising when the character has never been what you’d call a household name like Thor, Spiderman etc. For whatever reason this movie has gained such attention, what we actually have is a fairly basic super hero movie with the twist of an African setting and largely black cast. Panther is an interesting, layered character and fairly refreshing compared to the usual machismo we get with other characters; but with a rise and fall and rise again story ark, I failed to see how this was any different than what we’ve been getting for several years now. Add to this an underwhelming Michael B Jordan as the villain who’s character is basically a carbon copy of another Marvel villain, and like in Creed has no screen presence and is instead feels miscast beyond his impressive pecks. Yet we do get a fantastic car chase sequence, decent CGI and some tense fight scenes, along with good support from Martin Freeman and especially Letitia Wright as T’Challa’s sister – who gets all the best lines and funniest gags.
As it stands this was very pretty, often fun but very drawn out considering it’s simple plot, and felt more like an ‘also ran’ in the juggernaut that is the Marvel Cinematic Universe than anything else. I still had a good time, but like a lot of heavily-hyped things these days … I also came away wondering what the fuss was about.
Following an invasion of their home by a military force, ape leader Caesar (Andy Serkis) vows revenge and sets off to hunt down Woody Harrelson’s ruthless Colonel with a small group of fellow apes. Along the way they stumble upon a young mute girl who may be evidence of a mutated strain of the disease that has already killed off most of mankind.
A decidedly strange experience. I went into this with very high expectations and have to say what I got was a different movie than I was anticipating. It has the word ‘war’ in the title but it’s not the humans vs. apes smack down the last movie set us up for. Instead it explores an on-going conflict set at ‘war time’ between said apposing military force and the still attempting to live in peace apes. However what we do have is once again a movie with a great deal of heart, some very touching character moments, themes of loyalty, family and friendship as well as a little comic relief in the form of an ageing lone ape who turns up half way through. We get a lengthy prisoner-of-war sequence that is brilliantly played out with echoes of The Great Escape, and some decent action although nothing on par with the last two movies. This one’s less about explosions and spectacle and more about the search for a safe haven and a potential future, even if that future is hopeless for humans. As a conclusion (?) to the trilogy, it feels a tad uneventful and drags in places, and that ending was rather a damp squib.
Yet for fans like myself this is still solid entertainment. It’s superbly acted with again top marks going to Serkis, whilst Harrelson delivers a fine villain. It’s also absolutely stunning to look at (can these apes get any more real?) aided by plenty of personality and bags of emotion. I just suppose by a third movie, I was expecting more not … less.
The last reboot of the fabled POTA saga was a refreshingly different take on the mythos, letting us in on a backstory that was only ever hinted at in the classic movie franchise. It was the Apes movie we as cinema goers deserved, further pushing from our minds Tim Burton’s earlier, ill-judged remake. This follow-up starts ten years after the events of the first, where we meet a group of surviving humans (lead by Gary Oldman), living in a tower in a destroyed and mostly abandoned San Francisco. The virus that spread at the end of ‘Rise has wiped out much of mankind all but for a few immune who hope to take back a world that seems to have left them for dead. Their only chance is to travel through the red forest to the Hoover Damn, where it’s power could reignite hope. Only problem is a tribe of scientifically-advanced apes, lead by Caesar (Andy Serkis) stand in their way and want nothing more to do with humans.
Again this is a visual tour-de-force. The mostly CGI apes have become even more convincing (albeit for a couple of moments) and small little details in their expressions and varied personalities all help create characters that look and feel alive. Caesar this time has an adolescent son and a new born baby to worry about as well as growing tension amongst his tribe as humans begin to invade their territory … who does he side with and who does he trust? It’s a strong message and also a worryingly believable concept if our closest relatives were to suddenly ‘evolve’. Good support on the human-front comes from the recognisable but name-escaped-me at the time Jason Clarke (Lawless, Zero Dark Thirty) and also Oldman who regrettably didn’t go psycho bad-guy on us … but was decent regardless. But this clearly was about the apes, and for a movie to be so convincingly carried by CGI characters, despite the performances that exists underneath all the techno-wizardry, is a revelation – especially when at times it really affected me emotionally (Caesar’s relationship with his son ‘bright eyes’…). To back up the performances, we have several action sequences even if the movie lacks a rival to Rise’s Golden Gate Bridge stand-out scene – but this time around I found this more a character-piece, and we do get a great villain, whose identity I won’t spoil for you.
It’s been said Andy Serkis, who also played Gollum in the Hobbit / Lord of the Rings, as Caesar really should nab himself an Oscar, and with such a layered and powerful turn, I can’t disagree. This was a brilliantly-conceived and intelligently put together sequel to a genuine surprise of a reboot … and I for one can’t wait for what comes next.
The 1968 Charlton Heston movie that spawned several sequels as well as a television series, is rightly regarded as a classic, and although a re-imagining by Tim Burton a few years ago attempted to breathe new life into an old idea, the franchise that had once been Box Office gold seemed dead and buried. Until now. With a take on the story from a fresh perspective, director Rupert Wyatt has done the unthinkable – made Planet Of The Apes relevent again.
This was a no brainer. A Brit comedy horror involving the kidnap of buxom blond bomb shell Jennifer Ellison by that guy who played Golum in Lord of the Rings (Andy Serkis) and the most talented one off the League Of Gentlemen TV series (Reece Shearsmith). So we have a spooky, night-time set story involving two brothers, who are holding Miss Ellison for ransom in a spooky cottage in the woods. Immediately, the bumbling due are a joy to watch (especially Shearsmith, playing the nervy, twitchy half to Serkis’ bullish, tough guy). Jennifer Ellison is a mouthy, foul-mouthed pain in the ass for both of them and its not long before she’s escaped and run off – then the movie goes horror with the discovery of a zombie farmer lurking and killing at random anyone who turns up on ‘his land’. Hence forth lots of comedy, some great moments and some decent if short-lived gore.
Although lacking in some of the horror elements, the comedy, whilst not laugh-out-loud has a similar dark edge as the aforementioned The League Of Gentlemen series, with the cast shining despite a limited script. Well worth a look.
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