Tom Hanks is surely one of the most dependable and talented actors of his generation and for me, always an appealing prospect whenever he’s in a movie. Something about him is just so likeable and relatable and he’s very much not your typical Hollywood star. He’s like someone you feel you know. So we come to his latest effort. Overseen by the acclaimed directing talent of the legendary Clint Eastwood, this tells the true story of a freak accident that lead to a plane having to land in the Hudson River in the middle of New York City in 2009.
With an interesting, non-linear structure (the movie opens after the landing and flashes back to the day in question several times) Tom Hanks plays airline pilot Chesley Sullenberger (aka Sully) who is immediately faced with suspicion and attempts at being discredited for his actions by the airline and investigating parties, despite being heralded a hero by the public and media. A very simple story at it’s heart held together by solid performances including Aaron Echhart and especially Hanks who’s plight I believed in and felt every emotion, doubt and uncertainty conveyed. Eastwood builds tension and delivers a gently told but emotional story with great moments of drama from the actors and when we finally get to see how things occurred it’s pretty damn scary … especially for someone like me who’s never been on a plane.
It ends a little abruptly but that’s nit-picking for what is otherwise a well told, very well acted and powerful dramatisation of a remarkable incident. A must for fans of Tom Hanks and anyone who enjoys gripping true stories.
After the minor disappointment that was Indy 4, the big white hope for summer blockbuster supremacy falls to that much maligned comic-book icon, Batman with director Christopher Nolan’s follow up to his highly regarded Batman Begins. I now realise I need to sit down and watch ‘Begins again as I have forgotten much of it, so kind of come to this sequel afresh and with confident expectations – after all, this is probably the best reviewed summer movie in years. Now I really liked the older Batman films, especially those directed by Tim Burton who’s gothic sensibilities were a perfect fit for the franchise. Of course we all know Joel Schumacher F***** it all up with Batman Forever and Batman & Robin…but lets forget those two for now, shall we?
What I do recall Christopher Nolan doing with ‘Begins is reverting back to the franchises’ dark and sinister style, more akin to the comics on which they were based, and I was happy once again to see no ‘Robin’ or ‘Bat Girl’ or stupid villains. The Dark Knight progresses from such sturdy foundations and this time offers up a much more incredible villain in the shape of the late Heath Ledger’s remarkable Joker, who starting with a bank robbery, proceeds to play various crime organisations off one other in Gotham city and generally cause total chaos. Step in ChristianBale’s caped crusader to save the day. Now in amongst such goings-on, we have the love triangle between District Attorney Harvey Dent (a scene stealing Aaron Eckhart), Rachel Dawes (played by Maggie Gyllenhaal this time rather than Katie Holmes) and of course Bruce Wayne. This gives every character a deeper place in the story, but they are still all out shined by The Joker; a fabulously menacing, creepy, funny and psychotic creation that definitely deserves a nod come Oscar time – sad that Heath Ledger wont be there to enjoy the glory. If he had not died though, this is the kind of performance that only comes along once in an actor’s career – so rest in peace, Heath – you did it.
OK, the film takes a bit of time getting off the ground, seems a little ‘all over the place’ and struggled to really pull me in – but after the first hour such thoughts are quickly replaced by The Joker’s trail of death & destruction. This is violent, mature stuff indeed. One other problem I have is one levelled at the new direction the franchise has taken since Christopher Nolan came on board – and that’s the ultra-realistic style that seems an awkwardly fit with the whole Batman-mythos. Also in the older movies – Gotham City was as much a character in itself – now it’s just Chicago lit gloomily at night with no shred of its own personality. Christian Balle is an excellent Batman / Bruce Wayne – and he is well supported by screen legends like Michael Caine and Morgan Freeman even if the roles they are given seem a little beneath such heavy weight talent. But despite such short comings that more come down to my own thoughts on how Batman should be done – Nolan has delivered an intelligent blockbuster that has a whole lot more going for it than simple pop-corn entertainment.