The first movie was my favourite of 2014, so the prospect of a sequel was very exciting. This time around we find the unorthodox gang of heroes causing strife with a race of beings after Rocket the Raccoon (voiced by Bradley Cooper) gets a little light-fingered with some batteries. However following a space battle that could cause the guardian’s lives to end abruptly, a mysterious stranger saves the day. Turns out Star Lord (Chris Pratt) has a Dad who just so happens to be a pretty powerful guy himself, played with charismatic flair by the ever dependable Kurt Russell.
This fills in a few gaps left over from the last movie, especially the question surrounding Chris Pratt’s father and it was great being back in the company of these very likable characters again. The dialogue is especially sharp throughout, something that was a highlight of the last movie and the jokes & references come thick and fast to make this a ton of fun. Pratt’s character constantly makes quips about eighties pop-culture such as TV shows like Cheers and characters such as Skelator and Pac-Man, and makes him a very relatable and refreshing presence in this sort of movie. I was also glad to see that, despite the trailers, Baby Groot isn’t over-used but damn is he cute and very funny every second he’s on screen.
The soundtrack, another highlight last time around isn’t quite as memorable (apart from a great use of Mister Blue Sky by ELO) and a left-over side plot involving sisters Nebula (Karen Gillen) and Morgana (Zoe Saldana) felt unnecessary. I also did not get much out of the gold-painted race that turn up at the beginning and chase after our heroes. That being said Michael Rooker’s Yondu was again a joy and I’ve always liked the actor and we get some great moments with him here. The same can be said for scene-stealing Dave Bautista as Drax. Action generally is top-notch but the plot didn’t grab me as much or feel as layered this time, with the whole Kurt Russell’s planet sequence stopping the movie dead at one stage.
As it stands though this was a solid sequel and I can’t wait to see what comes next. The Guardians of the Galaxy will return!
Another entry in my growing collection of Brian De Palma movie reviews, this time the director’s much admired thriller from 1980. This is probably the movie that borrows most from Italian Giallo, a genre of stalk and slash thrillers made famous by directors like Mario Bava and of course, Dario Argento. It also borrows heavily from Hitchcock (especially Psycho), another of De Palma’s regular influences.
A house wife (Angie Dickinson) trapped in a sexually unfulfilling marriage, finds herself yearning for an affair and confesses as much to her psychiatrist (Michael Caine). However following a chance encounter at an art gallery that leads to a one night stand, the housewife is brutally murdered. A hooker (Nancy Allen) turns out to be the only witness.
A very of-it’s-time experience initially, with some explicit nudity and rather awkwardly handled sex making early scenes resemble a porn film. However once the killer strikes things shift into gear dramatically and De Palma’s cinematic flair spreads it’s wings. This is another movie that is visually captivating and often ingenious … a stand out art gallery sequence and a tense subway scene both showcasing a director at the top of his game. Add to this a murder-mystery plot that twists and turns wonderfully and even when you discover who the killer is, re-watching certain scenes reveal clever little details and clues. The acting is mostly adequate with even Michael Cain proving limited and at times a bit wooden … although Nancy Allen proves much more enjoyable. However like the Giallo the movie tips it’s hat to; acting and performances aren’t the big draw, more so tension and style and well, the occasional bloody murder. The movie lacks the body-count of a fully fledged Italian thriller, and retains it’s own quirks, with the inclusion of a geeky science student (Keith Gordon) and a stereotypical Police chief (Dennis Franz). As a package though this delivers a gripping narrative with some genuinely impressive sequences, worthy of it’s legacy.
The Blu-ray from Arrow Video boasts a rather soft-focus but otherwise clean image. Colours are rather muted and overall it’s simply acceptable with no real ‘wow’ factor. More note-worthy is the sound, with a dramatic, perfectly implemented orchestral score and crisp dialogue, both in stereo and a punchy 5.1 HD Master Audio. I should add that the movie is uncut for the first time in the UK. Extras are plentiful with several featurettes, including a detailed making of as well as a photo gallery. There’s also a detailed booklet included that covers the director’s influences and an analysis of the movie by critic Maitland McDonagh. Again no commentary from De Palma which would have been great but as it stands this is decent treatment for a somewhat forgotten classic.
A struggling actor (Craig Wasson – A Nightmare On Elm Street 3: Dream Warriors) finds himself looking for somewhere to crash following the discovery of his girlfriend’s affair, but soon descends into an underworld of voyeurism, sex and a who-dunnit murder mystery.
I’ve always admired the movies of prolific film-maker Brian De Palma and consider some of his output all time classics (Carrie, Scarface, The Untouchables). He has a distinctive visual eye and can put his skills to a number of genres. However it’s when his movies attract comparisons to the movies of Alfred Hitchcock and also Italian shock maestro Dario Argento that I become the most interested. Body Double bares a strong resemblance to both film-maker’s works but also has a perfectly sleazy tone that references a different time and is very much a celebration of 80s excess and exploitation. The story for what it is isn’t that well done and is fairly obvious and easy to predict especially if you’re at all familiar with any of the cast. However what is fun is De Palma’s cinematic eye that can make even mundane sounding sequences, like a journey through a shopping mall or a beach front terrace, enthralling due to some clever camera work and genuine tension. Craig Wasson is likeable if a rather unsympathetic character, and I’d forgotten just how much fun Melanie Griffith used to be and is adept here at delivering some great lines which are probably too explicit to repeat. Yet the movie is on a whole, especially considering De Palma’s impressive catalogue; a bit of an oddity and takes some alarming shifts in tone and style leaving me wondering what was the grand plan here…it really does feel a little thrown together. For a piece of 80s genre sleaze however, I’d still say give this a chance.
The Blu-ray suffers from a few smudgy scenes, especially towards the end of the movie for some reason … but this 4k restoration is otherwise decent looking with strong colours and some nice detail both in close-up and in De Palma’s grand wide shots. Dialogue is also crisp and free of lip-sync that I could see, and is delivered in the original stereo as well as a 5.1 soundtrack, which although not really making much use of surrounds is effective, especially in the lengthy ‘Relax’ sequence (spot the cameo by Holly Johnson). This collector’s edition from Indicator boasts a 40 page booklet that has an in-depth interview taken from 1984 as well as a ‘Brian De Palma’s Guilty Pleasures’ segment exploring the director’s influences. The Blu-ray itself comes with a series of featurettes with interviews with cast and crew, some archive, others more recent and proves invaluable for those interested in film-making and that of the movie itself and it’s legacy. Surprisingly no commentary which would have rounded this release off superbly but as it stands this is above average treatment for probably one of De Palma’s lesser efforts that still makes for a worthy purchase.
As soon as I heard about this I wanted to see it. Director Richard Linklater’s as he puts it ‘spiritual sequel’ to one of my all-time favourite movies; Dazed and Confused. This like Dazed follows a group of high school students but is now set in 1980 rather than that movie’s 70s and on the eve of starting college as apposed to the last day of school. It primarily follows baseball pitcher Jake (Blake Jenner) as he arrives at a frat house and becomes acquainted with the rest of the college baseball team; a group of guys who seem obsessed with getting high, partying and getting laid.
It’s hard to not make comparisons with that earlier movie, as I kept being drawn back to it for everything this one lacked. Jake is the only particularly likeable character here but even he has very little ark but for a tacked-on romance towards the end. Everyone else are simply obnoxious stoners or loud-mouthed jocks who despite being believable … I really wouldn’t enjoy being in the company of. Also Jake’s story is the only one we follow, nobody else has a ‘journey’ or any real defined personality and frankly several of the characters are very similar to one another. Also situations rarely had any pay off, like an early scene with a water bed and a little later on one character having to leave for the weekend because his girlfriend might be pregnant … but when he returns, it’s never mentioned again.
That’s not to say the movie doesn’t have it’s merits. Linklater’s keen observations of the era and setting are well done and the soundtrack on the whole is decent (the movie starts off well with The Knack’s ‘My Sharona’). And well, It all looks pretty good too, shot with an early eighties vibe that works a treat. Just a shame the wafer thin characters and lack of interesting situations means that unlike ‘Dazed it’s unlikely this one will achieve anywhere near the same cult status.
Occasionally a movie comes along that you don’t find out about through expensive advertising campaigns, but by sheer accident, watching something on YouTube and it gets a brief but enthusiastic mention. That was my experience and has to be said I still wasn’t rushing out to see it, but happened upon it when browsing newly released rentals, so thought I’d give it a shot. And am I glad that I did.
A young kid (Ferdia Walsh-Peelo) growing up in Dublin during the mid eighties, finds his family falling on hard times and has to move schools from a posh public school to a regular school and quickly becomes the target of the local bully and a tyrannical head master. However he’s quickly distracted from such woes when he spots a girl in the neighbourhood he’s immediately drawn to. Influenced by his slacker elder brother’s constant speeches about music he asks said girl if she wants to star in his music video for his non-existent band, and when to his surprise she agrees, he realises he actually has to put a band together.
With the backdrop of the 80s, the new-romantic fashion trend, pop music like Duran Duran and The Cure, I found myself transported back to my childhood and an era that seemed both alien and all too familiar at the same time. This utterly charming and feel good movie is full of personality and interesting characters and packs a lot of heart into it’s story. Think a cross between Gregory’s Girl and The Commitments and you may see what this one’s going for. It’s nostalgic and funny but also authentic to what was going on back then. The relationship between the kid and his elder brother is wonderfully well observed and made me think of myself growing up, looking to my own sibling in a similar way. It’s also full of memorable songs, some of which were penned for this movie by writer / director John Carney, who apparently comes from a musical background himself.
To nit pick would be to do this a disservice as it works on pretty much every level, but I did find it a bit odd how the kid and his band mates go alarmingly fast from a bit dodgy to very professional, and the ending was a little silly. Yet this is a movie you’ll probably not have heard of or would pass by in a heart beat …but really don’t as it’s one of the most purely entertaining and thought-provoking movies of the year. Essential.