A rather talked about British horror from newcomer Rose Glass that has been getting some good word of mouth lately. So of course I thought I’d check it out. This tells the story of Maud, a young woman who comes to work as a full time carer for retired former dancer Amanda (Jennifer Ehle) who is dying of cancer. It soon transpires that Maud is deeply religious and through caring for the woman, decides she may have finally found her ‘calling’.
Not your usual setup for a horror and initially I was wondering if I’d been sold the wrong movie. The portrayal of Maud and her beliefs is intriguing and as the story progresses, quite eye opening and unsettling. I personally am not religious although I believe in spirituality, and some of the things in this woman’s head are troubling. Such as how she self harms in an attempt to please God. Director Rose Glass transports is into Maud’s mind quite quickly and it’s a dark and disturbing place to be. She also fills the movie with a claustrophobic dread, using camera work, lighting and music effectively.
However, there’s only a hint of back story and the movie fails to even remotely explore why Maud is the way she is, which as her actions get crazier makes for a rather unsympathetic character. This is the movie’s only failing … it’s like we’re just getting a small part of the story, and I get it – a lot of what goes on is subjective. Yet performances are solid, especially Morfydd Clark as Maud and where the movie goes is quite shocking. Just a shame it’s mostly surface horror than anything deeper.
I’ve been considering a follow up to my A-Z challenge that I completed last year. This idea came to me after watching a video from Luke at Razorwire Reviews (check out his YouTube channel) a little while back. Except unlike his video where he counted down his favourite movies from the year he was born to present – I’ll be picking and watching one movie from each year I’ve been alive. So that’s from 1975 to present. Quite a task but one I’m not really giving myself a time limit on. The main restriction will be – it has to be a movie I’ve never seen.
Like the A-Z challenge I will be posting blog updates every now and then and also the occasional review. Let’s see how this goes.
2020 has been a very strange year, due to a global pandemic resulting in the pushing back of big names movies, closing cinemas or forcing some movies to get released on streaming platforms for a premium price. So watching movies hasn’t been as simple or as accessible as we’ve been used to. During the year I’ve found myself watching older catalogue titles on Blu-ray or focusing more on TV, gaming or doing challenges like my A-Z challenge during the summer.
However that doesn’t mean I missed out on some quality movies, and the count down that follows, showcases for me the cream of the crop. Please note these are movies i enjoyed the most during the year … but some may have been released earlier than 2020.
Birds of Prey
Ford V Ferrari (aka Le Mans ‘66)
Fighting With My Family
Jo Jo Rabbit
Honourable mentions: Greyhound, Incident in a Ghostland
Well there you have it. Here’s to hoping 2021 goes a little more smoothly. Like 2020, I think we’re in for some treats as far as movies are concerned and of course I’ll try and watch and review as many as I can. Happy New Year folks!
The sport of Wrestling has ever really appealed. The most exposure I ever had to it was seeing Big Daddy lay the smack down on World of Sport when I was a kid. However it has to be said, the sports movie has often been surprisingly great, and this little gem is no exception. The true story of the rise to fame of female wrestler Paige, who from humble beginnings with her wrestling obsessed family in Norwich, gets plucked by a coach who sees something special in her and gives her a chance to try out for a place in the WWE.
Florence Pugh, who first caught my eye in the unsettling Midsommer is great here as is her support cast including Vince Vaughn and Nick Frost. I especially enjoyed the bond Paige has with her brother and how it gets tested through the course of the story, leading to some quite heart-wrenching moments. It’s also laugh out loud funny in places, helped by a sharp script from Stephen Merchant (who also directs).
As a rise-to-fame journey, yeah it’s cliched with a believing in one self ark and a coach / mentor who’s tough yet secretly a nice guy … but that’s not always bad if it’s handled as well as this. A highly entertaining, well acted and feel good experience I couldn’t wait to talk about. A must see.
I’ve been a long time fan of director David Cronenberg, and came to this unusual thriller blind, unaware at first that it’s directed by his son Brandon. However shortly into this I began to get those unsettling Cronenberg vibes, with its emphasis on the psychological effects of technology, not unlike Videodrome. This has a woman, Tasya Vos (Andrea Riseborough) who works for a secret organisation who by using a device can transport herself into another person’s body in order to carry out an assassination.
Shot with a visual aesthetic that’s both beautiful and creepy, I was initially gripped by this concept and intrigued how it would play out. We learn early on that Tasya is in a relationship and has a young son, but is away on ‘business’ a lot so finds it hard to relate to them naturally, almost playing a part whenever she’s with them. Therefore she dives into her role as an assassin, mentored by Jennifer Jason Leigh’s agency figure.
However the is let down by a lack of meaning to Tasya’s increasingly brutal kills, seeming to lose control whenever she has to complete her mission. The violence here is drawn out, incredibly graphic and I’ll say … unnecessary. The themes the movie explores of identity, sanity, technology etc are interesting but they get overwhelmed by the gore. This leads to an ending that just didn’t make sense. Director Brandon Cronenberg has many of his father’s sensibilities but little of his depth going by this example. Disappointing.
Mensen maken de samenleving en nemen daarin een positie in. Deze website geeft toegang tot een diversiteit aan artikelen die gaan over 'samenleven', belicht vanuit verschillende perspectieven. De artikelen hebben gemeen dat er gezocht wordt naar wat 'mensen bindt, in plaats van wat hen scheidt'.