A Spanish supernatural horror hyped as being so scary it caused heart attacks and for viewers to switch it off. I’ve had my fingers burned by similarly worded hype campaigns before, as I recall actually being cautious to see The Blair Witch Project back in the day and well, that turned out to be a pile of shite. However this also had Paco Plaza attached as director, one half of the duo that delivered the excellent [REC] and its equally impressive sequel.
Veronica, a school girl who pretty much runs the house, looking after her younger siblings whilst their single mother works all hours, holds a seance involving a Ouija board along with two friends in a bid to contact her dead father. Predictably things don’t go to plan and soon theirs some sort of demonic entity out to claim the souls of her brother and sisters. So Veronica has to find out how to banish the demon and save the day.
Paco Plaza’s direction is moody and stylish with some clever camera work and decent gradual build up of dread. Set-pieces such as hands coming out of a bed or some ravenous kids are well done but an over-familiarity with the subject matter quickly creeps in and makes this pale in comparison to similar fair like Insidious or The Conjuring. It’s just not all that scary. The principle cast do their job but are all more serviceable than particularly memorable. Not essential then, but if you’ve exhausted most mainstream horror offerings, then there’s still entertainment to be had with this.
When news reached me that beloved Japanese animation house Studio Ghibli were closing their doors, I was concerned that the type of movies seemingly unique to that studio, would never see the light of day again. Thankfully that concerned was quashed on hearing about this release from new studio ‘Studio Ponoc’ and directed by Ghibli stalwart Hiromasa Yonebayashi. Based on the children’s book ‘The Little Broomstick’ by author Mary Stewart, we have Mary, a spirited young girl who stumbles upon an enchanted broomstick one day after wondering into a misty forest. Soon she is transported to another world, a school for witchcraft not dissimilar to Hogwarts, where the colourful characters may be hiding a secret linked to a sacred flower.
This is where the movie revealed an identity crisis, that lingered throughout. Despite best intentions and a charming veneer of wonder and imagination with top-notch hand-drawn animation … echoes of the movie’s heritage and titles like Spirited Away and Kiki’s Delivery Service meant it all quickly began to feel overly familiar. No bad thing but the characters whilst interesting to look at and with some typically bonkers design … lacked personality. Apart from Mary herself, an endearing yet clichéd character for this type of movie … the villains and various side characters just came off as typical, with the villain’s scheme also not fully explored.
Yet a twist towards the end was welcome and brought the story full circle in a particularly satisfying way and add some fun action and plenty of energy – I still found a lot to enjoy. Ghibli-lite, but as (hopefully) the start of a new era for Japanese animation, this is a promising start.
A few years ago I was heavily into all things Hong Kong Action Cinema and explored not only the movies of the legendary Jackie Chan but everything from John Woo to Tsui Hark and Jet Li. I got pretty burnt out it has to be said but occasionally I’ll revisit that interest when I see one of the classics get the Blu-ray treatment. This 1985 action comedy has Chan as rule-breaking super-cop Ka-Kui, who following a successful raid on a shanty town to capture a notorious drug dealer, finds himself looking after a witness (played by genre queen Brigitte Lin).
This 1985 movie, the first in the long-running series … was a huge hit and won awards in it’s native land whilst helping turn Jackie Chan into the superstar we all know him as. Watching this movie now, whilst well structured and entertaining throughout, seems to lean a little too heavily towards comedy with drawn-out scenes devoted to silly gags and comical situations involving his girlfriend (Maggie Cheung) and often bumbling co-workers. Thankfully when the action does kick in it’s terrific, showcased in three varied scenes that prove without a doubt why Chan’s so respected, not just as a martial artist but also as a choreographer and daredevil with his unique brand of environment-using stunt work. Influences from the likes of Buster Keaton are obvious and even all these years later, watching him is mesmerising. Not exactly the greatest action movie Chan’s ever done or even his best movie but it’s still a classic for what it set in motion.
This UK Blu-ray from Eureka! Is presented as a double feature box set with Police Story 2 and boasts a detailed booklet as well as a wealth of extra features. We get three cuts of the movie (the original release, the Japanese extended cut & a shorter American home video cut), behind the scenes featurettes, archive interviews, a brief over-view of Chan’s stunt wok, deleted scenes and trailers. The movie itself is in decent shape, with a 4K re-mastered image that whilst boasting nice detail and vibrancy, some darker scenes suffer from a smudgy, overly dark appearance. The soundtrack is good though with both 5.1 DTS HD Master Audio soundtracks presented in English dubbed and Cantonese subtitled, although the movie’s age means those surrounds are barely used. Overall, solid treatment for a movie that’s still a great deal of fun.
I’ve been really looking forward to this. Having been a long time admirer of visionary director Guillermo Del Toro since his fantastically ingenious debut ‘Cronos‘, we come to this, the Oscar winning movie that finally after so many years, recognised Del Toro for the master that he is. Telling the story of Elise, a young mute woman working as a cleaner at a military base during Cold War era 60’s America … we discover that a new ‘asset’ has come to the base for further experimentation and investigation by a team of scientists headed by Michael Shannon’s unhinged Government Agent. Said asset is a amphibious humanoid creature who Elise forms a unique bond with that gradually turns into love.
A gothic romance, a dark fantasy … hallmarks of what Del Toro does best and this takes some of the most interesting aspects of his earlier work and weaves them together into probably the best thing he’s done since Hellboy 2. The performances are first rate, with a scenery chewing Michael Shannon, although no stretch for an actor used to playing intense characters, on brilliant form. Also the often underrated Doug Jones who has appeared in several of the director’s works always underneath a wealth of prosthetics is mesmerising as the creature. Yet it’s the breakout turn from relative unknown stage actress Sally Hawkins that impresses most, bringing incredible depth and emotion to a character who can not speak.
The romance at the centre of the story did feel a little rushed however, with Elise too easily attracted to a creature-from-the-black-lagoon looking monster, although her urge to help it was more understandable. Also how the movie doesn’t exactly treat the creature as anything all that unusual considering it’s like nothing anyone had ever seen up until that point, is puzzling. Of course it would be remiss of me not to mention Del Toro’s direction and eye for darkly beautiful imagery; macabre and at times weirdly erotic. A true master of his art whose movies always look stunning – this is no exception as the set design, the slightly exaggerated 60’s Americana and the often cartoonish characters all create a tone and atmosphere uniquely his own and it’s a real joy. Del Toro has put together a movie that is both heart-breaking and touching yet thrilling, funny and magical. Although not quite up to the standard of Pan’s Labyrinth for me due to an undeveloped villain who’s motives are unclear and a little too much mystery to the creature … this was still a captivating watch from beginning to end.
I’m certainly a fan of Korean cinema. Over the years I’ve discovered some real gems and found myself liking certain directors and actors the more I see their movies. This critically acclaimed thriller follows Police captain Lee Jung‑Chool (Kang Ho-song) who infiltrates a group of resistance fighters who are reportedly planning a series of bombings on Japanese establishments during the Japanese occupation of Korea in the 1920s. As a Korean born man, Lee Jung finds himself questioning his allegiance when a charismatic resistance fighter befriends him and lets him in on their plans.
This tale of loyalty, double crosses and war time espionage is shot with no end of style and class. The set design and photography here is simply breath-taking and further cements director Kim Jee-woon (I Saw the Devil) as one of the best the country has to offer. Although at times overly-complicated, this was at times gripping with some brilliantly executed set-pieces including a tense sequence aboard a train and an exhilarating finally set to the music of Maurice Ravel’s Bolero. Add to this two strong turns from Kang-Ho Song (Sympathy for Mr Vengeance, The Host) and Gong Yoo (Train to Busan) and even though occasional shoot-outs got a tad repetitive … it was the battle of wits at the centre of the story that came across strongest.
Not one of those Korean movies I’d leap to recommend over so many others, but if you’re a fan of well-made world cinema, this is still worth your time.
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