I have never really known that much about the true story that lead to landing on the moon. Other than the names Neil Armstrong and Buzz Aldrin being cemented in my brain from a young age. This fascinating drama tells the story from the perspective of Armstrong (Ryan Gosling) offering a very personal angle, focusing on his own tragedies and his relationship with his wife (The Crown’s Clare Foy), with the Astronort mission(s) almost background.
Considering the aim of landing on the moon became an egotistical race against Russia to be the first, I was surprised with the lack of that usual American patriotism and vitriol, especially in the final act, leading to a rather downer ending. Also the eventual moon landing is a bit under-played, fitting with the more somber tone of the rest of the movie – but by that moment it should have felt epic.
Gosling is great, one his best performances I’d say and carries the movie well. Foy doesn’t fair quite as well, awkwardly trying to shake her Queen Elizabeth accent for an upper class American one. Also considering his status in history, Buzz Aldrin is simply ‘there’ with very little focus. The movie kind of portrays the man as a bit of a joke too. Yet the impending dread of each mission, the clear insane danger of it all, and the attention to authentic detail has to be applauded. Worth a watch but not quite all it could have been.
Writer / Director Charlie Kaufman has a reputation for off-beat, unusual movies but I’ll admit I’ve only seen one of his – Eternal Sunshine of a Spotless Mind (which he wrote) that I remember liking for its surreal themes and imaginative imagery. So checking out the trailer this looked like it had a similar quirky vibe. Lucy, a young woman is on a road trip with her boyfriend Jake to visit his parents. However she’s struggling with uncertain feelings about their relationship and is considering breaking up with him. However during their journey and stay at the parents farm, Lucy’s neurotic uncertainties cause various strange things to occur.
This was an odd experience. It’s initially a relationship drama but quickly tumbles down the rabbit hole of surreal imagery, time-jumps that seem to only be happening in Lucy’s head and plenty of pondering on life, mortality and relationships that gets a bit ‘much’. Occasionally the movie seems to hit pause for long inner monologues from Lucy that get rather pretentious, reciting poetry and insecurities that made me rather frustrated with her character. She came across utterly self-absorbed. Also occasionally the (admittedly clever) surreal moments seems to be there just to be odd and wacky (the dog that keeps shaking, disappearing and reappearing), which would have been fine if the movie had more of a sense of humour. Instead we get an overly pessimistic tone that doesn’t shift, and ultimately goes nowhere. David Thewlis and Toni Collette turn up as the patents, playing their characters at various ages, which did prove a highlight.
I’m sure theres plenty of meaning hidden amongst the oddness, and realise it’s all about life, ageing and the passage of time. However overall this lingered too much on the mundane and shy’d away from a potential to be more fun instead of just depressing. Disappointing.
I never got around to watching the animated original, yet it had always intrigued me … but unlike some other live action Disney remakes of late, I thought this would suit such a take better. Telling the tale of a young woman in ancient China who chooses to join the Emperors army disguised as a man, after an invading army declare war.
This is a gorgeous movie, awash with vibrant colours, beautiful costumes and stunning scenery and locations. Yes, there’s an overdose of CGI and occasionally the use of green screen for backgrounds is a bit obvious, but overall this was a treat for the eyes. Martial arts star Donnie Yen appears as a general who trains up the Emperors army, and an unrecognisable Jet Li appears as the Emperor himself. Jason Scott Lee’s vengeful leader of the invading army is good but he’s overshadowed by Gong Li’s brilliantly ruthless witch, who is definitely one of the movie’s stand out characters. Yet Liu Yifei as Mulan herself is very good, tough yet vulnerable and can handle the various elaborate fight sequences and carries the movie well. Yet the star here is the direction and visuals, Action scenes are plentiful and the camera work is often unique and stylish.
The story is nothing that special though and gets rather predictable. Some of the gravity-defying fantasy aspects can get a bit silly too. Also I found myself having to suspend belief when Mulan was disguised as a man, but still looked feminine to me. However, despite these things, I was still highly entertained from start to finish. One to check out.
I have vague memory of enjoying this, catching it on TV many years ago. However following rediscovering Dustin Hoffman recently with his memorable turn in Midnight Cowboy … when I saw this 1982 movie had been given the Criterion treatment, I thought I’d give it a go. Hoffman plays a struggling actor, who despite obvious talent can’t seem to land a job. However when he decides to disguise himself as a woman in order to land a role on a daytime soap opera, he realises his troubles are only just starting.
Directed by the late Sidney Pollack (Out of Africa) this is an enjoyable, charming and at times quite touching comedy-drama. Hoffman pulls off a surprisingly convincing woman in the form of ‘Dorothy’ and makes for an entertaining character. The movies shares similarities with Mrs Doubtfire but isn’t as zany, preferring a more earnest story over comedy set pieces. Although it’s still funny in places. Teri Garr is on hand as a ditsy friend and sort of love interest and resembles very much Jennifer Anniston in her personality. Bill Murray is also here but doesn’t add much. Jessica Lang, an actress I’ve always found creepy, however is very likeable here, and her scenes with Hoffman are some of the best in the movie.
At times it’s look and feel is a bit ‘TV movie’ and I can’t say I like the title or that cheesy theme … but it still throws an ahead-of-its-time spotlight on female empowerment, exploring misogyny and sexism that’s shockingly, still relevant. It’s also just a fun story with solid performances.
The Blu-Ray from the U.K. branch of The Criterion Collection boasts a nicely detailed and colourful image from a new 4K restoration. The sound, whilst only in its original uncompressed mono is very clear and does a good enough job. Extras are of course plentiful with a commentary from director Sidney Pollack as well as an archive making of and a newer making of from 2007 with interviews from both cast and crew. There’s also deleted scenes, test footage and an interview with Hoffman in-character as Dorothy. The included fold-out poster also has a new essay from critic Michael Sragow. Solid treatment for an 80’s comedy well worth re-visiting.
I can’t say I had any intention of watching this. I enjoyed but wasn’t blown away from the (at the time) heavily lauded first movie, and guess a sequel was inevitable – although was surprised to see it receive very little hype at release. However I spotted it on Disney+ and as starved as we are of new, worthwhile movies of late … I thought what the hell.
Magical Ice Queen ‘Elsa’ is haunted by a voice that calls to her. It seems strangely linked to a story her late father told her and her sister Anna when they were children, of an enchanted forest covered in mist. Eager to find out what it all means, Elsa sets out on an adventure, along with her sister as well as snowman Olaf and other friends.
This musical fantasy of course looks great. Frozen’s animation style may not be as visually dazzling as say, something from Pixar but it suits the throwback, classic style and is still beautifully done. The story is fun even if it felt a little forced initially with the whole ‘calling’ having little reason to ‘suddenly’ occur. The songs are entertaining, even if there’s nothing to rival the first movie’s ‘let it go’. Snowman Olaf also proved a bit irritating early on but I’ll admit I warmed to him as the movie progressed. Despite such issues however, I still found this really enjoyable. It’s quite funny and the characters (especially Anna) really had some great moments. Also that ending was feel-good perfection that I found quite touching. Not exactly another Disney Classic, but still well worth checking out.
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