I consider The Shining one of the best movies ever made, so this follow-up, based on Stephen King’s own best seller was something I never knew I wanted. King famously hated director Stanley Kubrick’s 1980 adaptation and so this movie interestingly brings King’s sequel to life as well as heavily referencing Kubrick’s movie.
Ewan McGregor plays Dan Torrance, the grown up version of that kid in the original, who has battled his ‘shining’ affliction to see the dead, with alcohol. However when a young girl named Abra begins communicating with him through her own psychic gift, Dan is drawn into a battle against a mysterious group of travellers (lead by Rebecca Ferguson) who pray on those that shine.
The way characters, separated for miles connect and come together during the story was what drew me into this. The movie uses imaginative ways of making the various locations and characters feel connected and only builds and gets more creative the closer they get to one another. The story also fleshes our the ‘shining’ ability as well as further exploring characters and moments from the first movie with spot-on re-creations and occasionally uncanny look-a-likes. Rebecca Ferguson is dangerously sexy as Rose The Hat and McGregor is also very good, even if he’s often outshined by Kyliegh Curran as Abra.
Although I’d have liked the movie to be less the supernatural drama it is and more a full-on horror, the story was (mostly) involving enough to make up for a lack of genuine frights. Director Mike Flanagan (Gerald’s Game) uses many creative visual flourishes to make what on paper could get a bit silly – highly entertaining and I found myself invested in Dan and Abra’s plight. This is how you do a sequel to such a legendary movie … build on a great concept yet take nothing away from the original.
Rocker turned director Rob Zombie has over the years carved out his own sub-genre that despite strong influences from grind house shockers like The Texas Chainsaw Massacre and The Last House on the Left, delivers a style that’s all his own. It can be an acquired taste that’s for sure, and not much has changed since 2005’s The Devil’s Rejects that this is a direct follow up to. With a clear tip of the hat to Natural Born Killers, in the years since their incarceration, the Firefly gang have become celebrities. After one of them escapes, a violent home invasion ensues to convince a Prison warden to help crazy as-a-loon Baby Firefly (Sherry Moon Zombie) escape also.
Zombie’s direction attempts to add style and panache to a movie that’s neck deep in sleaze and grime. It’s characters carry a self-importance that doesn’t make them glamorous, but simply pompous, and with the lack of interesting adversaries, including a none existent police presence, there’s a distinct lack of tension or drama throughout.
If you’re here to find out if this delivers the required violence and gore then yeah, there’s several nasty scenes including a throat slit, stabbings and a (unconvincing) face removal – but almost all is watered down by what appears to be crappy CGI blood. Bill Mosely is the stand out as Otis, and Sherry Moon is equal parts entertaining and annoying – so the acting’s a mixed bag also. The under-use of Sid Haig (who recently passed away) as nutty clown Captain Spaulding is disappointing but in a movie this half-arsed, perhaps it wouldn’t have been his finest swan-song. For die hard Zombie fans only.
I only have vague memories of the original made for tv two parter in the early nineties – but I strongly recall being underwhelmed by the second part. However having liked the first in this re-adaptation, I sat down to this with anticipation and optimism. Twenty seven years after the events of the first movie, following an incident involving a young man as well as several disappearances of various children, it’s time to get the losers club back together in hope of putting an end to that f***ing clown, once and for all.
In the hands of the same director and with solid choices made when casting the adult counterparts of the first movie’s young cast, I was quickly drawn into this again. It’s filmed with panache and no end of style. Like last time there is a focus on character that works brilliantly, with a welcome dose of flashbacks to the young cast delving deeper into the gang”s friendship where clearly additional scenes were filmed rather than just copy and pasting from the last movie. It helps build up each individual character and made me care for all of them – very important when Pennywise turns up to deliver a wealth of set piece scares.
It’s here with a reliance on said set pieces that the movie falters, and it quickly dawned on me the approach here was maximum frights instead of gradual menace, meaning some of those scares just aren’t earned. It helps that the set-pieces are often imaginative and visually freaky – there’s just so many of them it does get exhausting. Thankfully performances across the board are great, with names like Jessica Chastain,James McAvoy and especially Bill Hader all delivering.
This may be a sequel that considers bigger is necessarily better … more subtlety and a stronger sense of mood (with a need for about 30 minutes chopped from that run time) would have made this equally as good as the first movie. As it stands, this makes up for such shortcomings by still being solid entertainment that’s well acted and brings the story to a (albeit drawn out) decent enough conclusion.
Director Jordan Peele has made quite a name for himself after the Oscar winning racial-tension thriller Get Out. He’s certainly a bold new voice in a largely stale genre filled with sequels and remakes. In this, his second effort, a woman along with her husband and kids head to a beach community for a holiday, where when she was a child a bizarre incident happened that has haunted her all her life. However after meeting up with some friends, as night draws in a weird group of strangers turn up outside the house who look exactly like them.
Initially I thought this was very much like a copy of The Strangers mixed with Funny Games., but as it progressed it became so much more. Firstly, Peele’s direction is slick, visually interesting and coats the movie in a thick unnerving atmosphere. Moments of humour only slightly eleveate the tension but work well to create a surprisingly relatable tone with characters I quickly grew to care about. One joke involving an Alexa-like device was just brilliant. Performances, especially considering the cast are mostly playing two parts are decent with a special mention going to Lupita Nyong’o who delivers a very layered duel-performance that’s at times quite chilling..
The overall concept is clever on paper, but as the movie drew to a close I felt it got a bit confused, causing an avalanche of questions in my head that begged me to re-evaluate what I had been watching. That can be great but in reflection, I’m not sure if it entirely works. However for such a visually captivating, well acted and often thrilling experience this remains one of the most purely entertaining horrors I’ve seen in a while.
I love it when I go in blind to a movie and come away surprised and impressed. This novel take on the superhero origin tale has a young couple, desperate to have a child get their wish granted when one night something falls from the sky. Soon they discover a baby boy and decide to bring it up as their own. However as he grows older ‘Brandon’ begins to develop violent tendencies and before long it becomes clear this little fella ain’t going to become superman.
A cast of familiar faces headed by Elizabeth Banks and a strong central performance from Jackson A Dunn as Brandon, makes this sci-fi horror immediately intriguing and under the watchful eye of producer James Gunn (Guardians of the Galaxy) this is smart, refreshing and rather freaky. Atmosphere is piled on in a Twilight Zone meets Friday the 13th kind of way and liberal doses of effective gore (glass splinter to the eye?) and a great build up to some pretty messed up moments … I was quite taken back by this out of nowhere gem.
it plays loosely with some horror movie cliches (investigate the weird noise) and the ending left me contemplating sequels – asking where can they take such a concept? Yet that’s a good thing regardless whether we get any of that. If you’ve grown tired of all those comic book adaptions and fancy something a little different, check this out.
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