Garbage – No Gods No Masters


Album review

I’ve now had a few listens to the seventh studio album by my favourite band Garbage. I can confidently say it’s both impressed and surprised me. The song selection here, like all their albums varies from up tempo rock & synth jams to moody, atmospheric ballads. This time they tackle prominent subjects like sexism, racism, religion and relationships and it all feels a tad more biting than anything they’ve delivered in the past. Songs like The Men Who Rule The World confront the patriarchy, whilst Waiting For God explores Black Lives Matter. However it never feels preachy or too in yer face, still managing to deliver anthemic choruses or meaningful melodies amongst heavy subject matter.

Shirley and co deliver again…

Personal highlights are the throwback 60s spy movie vibe of Anonymous XXX, the exhilarating industrial rock of Godhead and the dark, sinister western movie styled A Woman Destroyed … and although songs like Flipping The Bird and Uncomfortably Me didn’t gel with me as instantly, there’s really no filler on this album. What impressed me the most was the ideas, creativity and sheer ambition on show, with no two songs sounding the same and each one delivering a sense of passion, with something important to say.

Although the use of provocative lyrics and swearing, such as Godhead’s ‘if I had a dick would you blow it?’ or The Men Who Rule The World’s numerous F-bombs caused this to lose a point for me (even if it’s the closest they’ve ever come to eclipsing 1998’s near-perfect Version 2.0) – the slick production, and the writing are otherwise strong enough to (mostly) overlook personal preference. So there we have it. 25+ years into their career, with No Gods No Masters, Shirley Manson, Butch Vig, Steve Marker and Duke Erickson show no evidence of going through the motions and remain in my opinion prominent voices in music that are just as relevant now as they’ve ever been. Give this a listen!

Verdict: Recommended

Garbage bring it again…


Well, three singles have been released in the lead up to my favourite band Garbage’s seventh album. Wow, I’m feeling spoilt as all three have been bangers, and their latest, ‘Wolves’ is a rocking, creatively produced, catchy tune that has become my personal jam of the songs released thus far. The animated video is stylistically similar to ‘The Men Who Rule The World’ and equally as provocative. Check it out below….

No Gods No Masters is out June 11. You can expect a review of the complete album once it’s released.

Even newer Garbage


Last night during a live YouTube chat with the band and viewers, Garbage’s title track from forthcoming album No Gods No Masters was revealed, in a cool, neon-fused promo video. This electro-pop, kind-of eighties sounding jam was much more my taste than the previous, highly political ‘The Men Who Rule The World’ and I can see it becoming a favourite amongst the many other stellar songs the band have produced over the years. Anyone unfamiliar with Garbage, I highly recommend checking them out, especially if you enjoy alternative pop/rock with strong vibes of Blondie, No Doubt etc. Watch the video below…

Garbage’s 7th studio album is released on June 11. They have plans to tour with Alanis Morissette in America later this year, followed by a tour in the U.K. with Blondie.

Controlling the narrative


Since when on earth do we as game players, movie / TV watchers or music listeners get to dictate how our favourite form of entertainment turns out? Yes, we put faith in developers, writers, musicians and directors to tell a story, write a piece of music, develop a game to our satisfaction, but not for one second do we have a right to dictate how it turns out. Yes this is something I feel strongly about so thought I’d put my thoughts down in a post.

The recent Star Wars movies for example have not been to everyone’s taste (and neither do they have to be) but there has been an uprising in recent times of a certain, very vocal group of people who seem to want to alter how things turn out to their liking, and go about review-bombing, shouting their disdain on social media and in YouTube videos, as if they really believe their anger and (somewhat entitled) attitude will change how something is. Boo hoo they say, they ruined Star Wars for me! Wake up, they were not making it just for YOU. Real art is largely about the creator / designer / artist and if people like it that’s great but it’s not the point of a creative work. A creative work is to be creative!

Oh we didn’t like our favourite band’s new album? That was ‘their’ vision, not yours. You didn’t like it – move on, there are plenty of other albums out there you might like. In games, The Last of Us 2 is a prime example. It takes risks and introduces (dare I say it) bold twists and revelations to tell it’s story. It’s not just a carbon copy of its predecessor like many games before it. It’s borrowing narrative story telling from TV and movies to push the medium in a direction we don’t normally see. Yet some fans are butt-hurt because it’s not the game they expected – er, did it have to be? Were the game designers primarily focused on pleasing their fans, or did they actually want to be imaginative and creative? That’s how story telling is meant to work. We as fans don’t get to write the story. We are the audience and if we don’t like it we don’t have to play it. Jeez, write a review, post a comment but don’t believe that you can make something you don’t like change – isn’t that a little egotistical?? To such people I say: Quit your wining because Santa didn’t bring the exact present you wanted. It’s not all about you.

So yes, we don’t get to control the narrative of popular entertainment, The most tiresome entertainment is often that which panders to what is popular or expected. Thrilling entertainment surprises and takes risks. If it’s art we are here to experience it, love it or hate it but the point is we are reacting and that’s all that’s necessary. A creator should not compromise their own creation based on a reaction if it’s something they themselves are proud of. We don’t dictate it to our own agenda, that’s what personal taste is all about, we can choose to watch a different movie, we can play a different game. So enough with the hate. Quit the review-bombing in hopes of changing a meta-critic score. You’re not here to dictate, rather you’re here to respond and have your opinion but remember… it’s your opinion and like the entertainment itself … nobody has to agree.

Rocketman


Viewed – 06 January 2020 Blu-ray

I’ve always appreciated the music of Elton John and consider several of his songs all-time classics. Following on from Bohemian Rhapsody this similarly tells the life story of one of the UK’s most iconic stars, this time with less of a tragic ending.

Told in a surreal musical style that takes those famous songs and matches them with key events in Elton’s life… this has Taron Egerton on amazing form, delivering all the nuance, emotion and flamboyance of the man himself whilst also singing all the songs as well. The musical approach is done very well even if at times I wished certain favourites were just delivered normally instead of other cast members stealing certain parts as way of delivering the story. Jamie Bell is very good as Elton’s writing partner Bernie, although Bryce Dallas Howard proves a bit forgettable as Elton’s disapproving mother.

The focus here is mostly Elton’s struggle to be accepted by his parents or find love. It’s occasionally a little overly stylish, and despite showcasing many famous songs, the omission of Candle In The Wind is puzzling. Yet this still delivers an occasionally moving, often eye-opening story with some seriously feel good moments, aided by a killer soundtrack.

Verdict: Recommended