I’ve always appreciated the music of Elton John and consider several of his songs all-time classics. Following on from Bohemian Rhapsody this similarly tells the life story of one of the UK’s most iconic stars, this time with less of a tragic ending.
Told in a surreal musical style that takes those famous songs and matches them with key events in Elton’s life… this has Taron Egerton on amazing form, delivering all the nuance, emotion and flamboyance of the man himself whilst also singing all the songs as well. The musical approach is done very well even if at times I wished certain favourites were just delivered normally instead of other cast members stealing certain parts as way of delivering the story. Jamie Bell is very good as Elton’s writing partner Bernie, although Bryce Dallas Howard proves a bit forgettable as Elton’s disapproving mother.
The focus here is mostly Elton’s struggle to be accepted by his parents or find love. It’s occasionally a little overly stylish, and despite showcasing many famous songs, the omission of Candle In The Wind is puzzling. Yet this still delivers an occasionally moving, often eye-opening story with some seriously feel good moments, aided by a killer soundtrack.
Well it’s 2020. I made it. It’s been a difficult Christmas as I was hit hard by a cold / man flu so didn’t get around to my usual Christmas Day prezzies post. I wasn’t feeling the festive spirit much, but at least I wasn’t in work and have been off since Christmas Eve. I’m back in tomorrow.
What did I get this year? Well a couple of games, namely Dragons Quest XI on the Switch and Jedi Fallen Order on the Xbox One X. Other than that I received the 4K Blu-ray of Alita Battle Angel, a Blu-ray copy of Rocketman as well as some clothes, vouchers etc and my usual Scarlett Johansson calendar. Not too shabby! Hope those I got prezzies for liked what I got them too!
As a new year gift to myself, I also picked up the iPhone 11. My phone is a major part of my daily routine, be it social media, internet shopping / browsing and also using it for work. So why not have a good one? So far I’m loving it and going from the iPhone 8 to this is quite the leap, especially with the bigger screen (important for me as I have ongoing issues with my eyesight).
Looking to the year ahead, as well as looking back at 2019, a highlight was obviously seeing my favourite band, Garbage for the fourth time, meeting various members of the band and getting a photo with lead singer Shirley Manson. I can see me attempting to repeat such an experience in 2020 with the band having a new album due out and most likely a tour to support it. Fingers crossed it happens!
As far as this blog is concerned, I’ll admit I haven’t been as prolific with posts as I have been in the past and haven’t chosen to review everything I watched. I’ve not written much about the TV shows I’ve been binging like Sons of Anarchy and Mister Robot. Life gets in the way and that’ll probably be the same in the year ahead so can’t promise there’ll be a ton of posts going forward… yet I’ll try and keep up with the various movie reviews as usual and the occasional surprise. Watch this space.
Well that’s all from me for now. Happy new year to anyone who has read and supported this blog. Hope 2020 is all you could hope for.
Well, there was such anticipation and nervous excitement for me leading up to my fourth time seeing my favourite band. You see, Garbage remain the only band I’ll make the effort to actually go and see live even if it means travelling miles to get to them. Accompanied by a good friend as well as meeting up with another fellow Garbage fan, even before the show we hung around by the stage door and the band’s tour bus for the hope of a chance encounter. I wasn’t disappointed … guitarist Duke Erikson came out to say hello as well as touring bass player Eric Avery and stand-in drummer Matt Walker (standing in for Butch Vig who had to stay at home due to a recent shoulder injury). They were all so nice and down-to-earth.
The concert itself was amazing. Fourth time seeing them I was slightly wondering if they would be as impressive as previously … suffice to say this was one of the best performances I’ve witnessed yet. Lead singer, Edinburgh born Shirley Manson was on fantastic form with plenty of charisma and energy and belted out hits like ‘Stupid Girl’ and ‘I Think I’m Paranoid’ as well as lesser known tracks like the haunting ‘On Fire’ … to a very appreciative crowd that were constantly jumping about and singing along. It was intense, adrenaline-fuelled and for me a genuine, life-affirming treat. Words can barely describe what it meant to this long-time fan but as the show ended I was on cloud nine.
My friends and I then decided to hang out by the stage door again and after a while, low and behold Shirley Manson came out to say hello, sign autographs and have pictures taken. She is simply the best. Even now, two days afterwards I can’t believe my luck and am pinching myself that it wasn’t just a very vivid dream.
A fan shot video of the band performing ‘Push It’ to a very energetic crowd.
To me, Garbage are and always will be a fantastic band to be into and I feel so proud to call myself a fan and a darkling.
Some people would have you believe that this isn’t another blockbuster entry in the ever popular Marvel Cinematic Universe and a precursor to the much anticipated Avengers: Endgame … but instead some overly political, misguided feminist propaganda effort. Thankfully i’m here to tell you, this isn’t that movie – unless you want it to be.
Brie Larson plays Veers, a gutsy soldier under the mentor-ship of Jude Law who along with a squad of Inter-galactic warriors are out to stop a race of warlords from tracking down a scientist on earth who may have invented a light speed transportation device. However once on earth, Veers finds herself plagued by memories of a past she doesn’t recognise.
Larson is likeable, tough, well cast and I guess, makes for great female role model material (whilst not bashing you over the head with the fact). Add to this her teaming with a (incredibly) CGI-rejuvenated Samuel L Jackson for a fun buddy pairing; this has action, a twisting story line that kept me glued and a fun 90’s backdrop with many enjoyable in-jokes and references. The plot at its core is cliched I’ll admit and despite a few unexpected moments, nothing all that memorable, yet ties in well with other movies. A few moments here and there felt slightly rushed also. However, effects work is top notch as usual and although big action set-pieces are spread a little thin, the use of some great 90’s tunes from bands such as Nirvana, No Doubt and Garbage enhance several scenes, making for a fun experience from start to a particularly feel-good finish.
So leave all that political bullshit at the door and if you’re anything like me, you’ll have a good time. Roll on Endgame.
I’ve come to this with quite some anticipation, not only for the fact that any movie involving the British rock band Queen was going to be an interesting story but also following the Oscar nod given to Mr Robot’s Rami Malek for his portrait of Freddie Mercury … this just became more and more an essential prospect. Charting the band’s 1970s origins right through to their legendary appearance at Live Aid in 1985, this mostly focuses on the personal battles of Mercury, his sexuality etc., whilst also touching on the bands on off struggles for creative freedom.
Malek, a little young looking to fully get away with the role and not the most eloquent of speakers (thankfully Mercury’s actual voice is dubbed over for the singing) still does a good job mimicking the iconic star’s flamboyant mannerisms and also handles emotional scenes convincingly. Additional casting for the band members is also rather uncanny (especially Brian May). Director Bryan Singer has delivered an absorbing, respectful yet not glossed-over biopic that although not fully capturing the attention Queen got especially in the early years (little word on record sales or chart success), manages to showcase who Mercury was and just how good the music was, leading to a feel-good if bitter-sweet ending that I’ll admit got me teary eyed.
It may bunny-hop over significant moments in their discography such as a collaboration with David Bowie or their involvement with the Flash Gordon soundtrack, but overall this was fascinating, entertaining and made me appreciate Queen all over again.
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