I’ve reported many times on here of my love and admiration for alternative rock pioneers ‘Garbage‘. Over the last couple of years I’ve even had the privilege of seeing them live … topped off with the utterly surreal and amazing experience of actually meeting the band for a VIP meet and greet in 2016. Well next year I’ll be making it a hat-trick and seeing them live once again for their upcoming show at Brixton Academy. The show, which I’m presuming will form part of a tour, will celebrate the 20th anniversary of their second, Grammy nominated album ‘Version 2.0‘ – a personal favourite of mine. So to say I’m excited is an understatement.
My favourite band in the world ‘Garbage’ fronted by the enigmatic Shirley Manson, hit the road this week for their co-headline ‘Rage and Rapture’ tour with the industry-icons Blondie. Their first stop? The Mountain Winery, Saratoga CA. The band seemed to be on blistering form and even dusted off a few classics they hadn’t played in a while, including their famed James Bond theme ‘The World is Not Enough’ which showcased Manson on brilliant vocal form (see below). Video courtesy of: YouTuber kyocarmesi
The tour spans various venues across the states as shown below, and I myself, as someone who can’t get to the shows themselves, am looking forward to some great footage. From this evidence, Shirley and the boys are not going to let themselves get upstaged all that easily by Debbie Harry and her Blondie band-mates.
See what I did there? Yes, this post is primarily about two big loves of mine…Twin Peaks and the rock band Garbage. First more of an update on what’s going on with my favourite band. Firstly they are working on new music! This is reported to be a song they hope to release in time for a forthcoming tour. Shirley Manson, lead singer and general all-round bad-ass, has also contributed her vocal talents to the soundtrack of TV show ‘American Gods’ with a song she worked on with composer Brian Reitzell (Hannibal, 30 Days of Night) called ‘Queen of the Bored’ and well, it’s super cool. Video-link below:
Secondly Shirley is visiting London to attend the summer-camp music school for girls known as ‘Girls Rock London‘ as a Patron giving talks I presume on what it’s like to be a woman in the music business, conveying her 30+ years experience to the attendees. Should be very interesting. Here’s a picture of her as posted by the event organisers. Yeah, she’s looking great as usual. Now as mentioned earlier the band are preparing to go out on tour – with none other than legendary band ‘Blondie’ for the rockingly-titled ‘Rage & Rapture Tour’ which kicks off in July. Around the same time the band will also be releasing their autobiography entitled ‘This Is The Noise That Keeps Me Awake’ … so an eventful time for Garbage and a great time to be a fan of this pioneering and acclaimed band. Although they seriously don’t get the recognition they deserve these days; even 20+ years after they began, Garbage don’t answer to nobody and do their own thing, their own way … which is pretty damn cool.
On the TV front of course the big event has been the (very) long awaited return of Twin peaks – you know, that quirky little soap opera about a murdered girl that ran in the early nineties, got cancelled after it’s second season and also spawned a (mostly) reviled movie that later gained cult appeal. Now it’s back and if you thought the original was ‘a bit weird’ … well, David Lynch, series creator and all-round genius (or madman, I’m undecided) has been let off his leash and delivered possibly the strangest, darkest, freakiest and most daring TV show in years. I’ve watched 3 episodes so far of the 4 that have been revealed, and even though I’m loving it as a Lynch aficionado – it’s also really messed with my head and I can certainly understand if even die-hard Peaks fans could get turned off. Just watch it though – you just have to give it a go and make your own mind up. It’s that kind of experience. Even if you end up not liking it.
To celebrate the release of Twin Peaks, I also picked up the newly-restored version of Lynch’s Oscar-winning surreal drama Mulholland Drive and will be watching and reviewing it soon, so watch out for that.
Well that’s all from me for now. Check in again soon and I’ll have more stuff to show you…probably.
Probably the most celebrated movie of the last twelve months that swept up at each award ceremony, gaining Oscars, Baftas and Golden Globes a plenty. I must admit I was intrigued and have always enjoyed a good musical. This stars Emma Stone as a young woman with a dream of becoming an actress who waits tables at a cafe on the Warner Brothers studio back lot. At the same time we have Ryan Gosling’s talented Jazz pianist trying to make a name for himself with dreams of opening his own, old-school Jazz bar. These two strangers it seems, are destined to meet and so we have what appears to be a classic Hollywood love story, peppered with the occasional grand song and dance routine.
A nostalgic homage to Hollywood of old, ala Rogers & Hammerstein or Doris Day musicals but with a contemporary setting. Should work wonders, huh? Well … the problem here is, these two actors lacked chemistry and their central love story, going from disliking, to tolerating, to falling in love etc. just didn’t engage … I just didn’t really get caught up in any of it. Every time you’d expect some convincing emotion or actual depth to their relationship, they’d break into a dance routine or a song instead. I’m sure it’s all meant to be symbolic but it just made their relationship ‘meh’ at best. This is not helped by some very vague story details and forgettable supporting characters (Stone has a boyfriend at one stage…not that you’d remember him). Thankfully the movie is packed with eye-catching dance routines, at times stunning visuals, great choreography and colourful costumes. However along with forgettable actual songs (nothing really stands out) and principle leads you feel are better off not being together … something has gone horribly wrong.
The movie saves itself somewhat in the closing moments and the final interactions between Gosling and Stone are quite touching. Both stars are also very good, proving themselves capable singers (with Stone especially having a fantastic solo moment) … however with such a focus on re-creating a bygone era and less focus on delivering an engaging story, I felt this ultimately failed. Worth watching for Gosling and Stone and some great dance numbers, just don’t fall for the hype.