Viewed – 05 December 2020 online rental
I’ve been a long time fan of director David Cronenberg, and came to this unusual thriller blind, unaware at first that it’s directed by his son Brandon. However shortly into this I began to get those unsettling Cronenberg vibes, with its emphasis on the psychological effects of technology, not unlike Videodrome. This has a woman, Tasya Vos (Andrea Riseborough) who works for a secret organisation who by using a device can transport herself into another person’s body in order to carry out an assassination.
Shot with a visual aesthetic that’s both beautiful and creepy, I was initially gripped by this concept and intrigued how it would play out. We learn early on that Tasya is in a relationship and has a young son, but is away on ‘business’ a lot so finds it hard to relate to them naturally, almost playing a part whenever she’s with them. Therefore she dives into her role as an assassin, mentored by Jennifer Jason Leigh’s agency figure.
However the is let down by a lack of meaning to Tasya’s increasingly brutal kills, seeming to lose control whenever she has to complete her mission. The violence here is drawn out, incredibly graphic and I’ll say … unnecessary. The themes the movie explores of identity, sanity, technology etc are interesting but they get overwhelmed by the gore. This leads to an ending that just didn’t make sense. Director Brandon Cronenberg has many of his father’s sensibilities but little of his depth going by this example. Disappointing.