Viewed – 07 January 2019 Cinema
Director James Cameron (Titanic, Terminator 2) had been hoping to helm this adaptation of the popular Japanese manga. However, his attention these days is focused on the Avatar sequels, and so with a large degree of supervision he passed his passion project onto Robert Rodriguez, a risky move in my opinion as the once celebrated genre film maker hasn’t had a major hit in a while, with Sin City probably being his last movie to make any sort of rumbles.
Set in the distant future, this has Christoph Waltz’s cybernetic limb doctor stumble upon the remains of a robotic girl, and goes about bringing her back to life, only to discover she has incredible fighting abilities. ‘Alita’ you see, has clouded memories of a past that is linked to the hovering city of Zalem, ruled over by omnipresent ruler ‘Nova’. What was she before? What do her memories hold secret, and why are thugs seemingly hellbent on capturing her?
Visually stunning and with state of the art technology, this is a fun adventure with a breakout performance by Rosa Salazar as Alita (underneath Avatar-style CGI). Along with a great Guipetto-like turn from Waltz who always lends presence to each movie he appears in and a story that cracks along at a good pace, I found myself having a great time with this. Occasionally the CGI over-load reveals some shortcomings with one such scene looking like the actors are not part of the scenery (the rooftop scene), but in many other aspects it’s jaw-dropping (Alita herself bug-eyes and all, and those mutant bad guys). The movie also falters at being clearly the beginning of a much larger story, with too many questions left unanswered. Also the love story sub-plot is a tad cheesy, and less said about Jennifer Connelly’s performance the better.
Yet with solid world-building and some bad-ass action (the bar fight, the motor-ball sequence), not only has Rodriguez found his groove … but Cameron can also be proud to finally realise such a vision. Roll on part 2!
Verdict: 3.5 /5
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