The Villainess


Viewed – 18 February 2018  online-rental

I was first exposed to the wonders of Korean cinema quite like many were I presume with Park Chan-wook’s Oldboy.  From that starting point firstly, that director became a firm favourite, and I also was treated to some real gems; including last year’s personal top ten entry Train to Busan.  So we come to this somewhat under-hyped action thriller.  Sook-hee has been trained from a young girl to become a deadly, highly skilled assassin.  However upon the death of her mentor, she vows revenge which ultimately lands her in the custody of a government organisation that would like to put her skills to work.

The-Villainess

This starts brilliantly with a no-holds-barred visceral action sequence filmed mostly in first person that well, has to be seen to be believed.  This immediately hooked me, and once again it seems I was in for a top level Korean movie that I’d be recommending to anyone willing to listen.  There’s clear echoes of French classic La Femme Nikita here, as well as Lady Vengeance.  Also the direction, with rapid-fire editing and impossible camera work certainly makes this an experience.  It’s sad to report then, that this is all held together with a rather generic and muddled plot with a myriad of flashbacks that only help to confuse matters.  Performances are largely decent, especially from Kim Ok-bin as Sook-hee and there’s some fun characters and interesting twists.  It also doesn’t take any prisoners and is at times very bloody and violent.  I also found myself caring for the central protagonist’s plight and affected by the shitty things that happen to her … but with a villain who’s motives seem simply ‘because I’m evil’ this ended up not being the full package.

See it for it’s action and impeccable style.  Not so much for it’s plot.

Verdict:  3 /5

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