During the nineties I had a bit of an obsession with Hong Kong action movies, everything from Jackie Chan to the two-handed gun-play of John Woo. Hollywood quickly followed up on this and the action genre became infused with the influence of far eastern cinema, spawning the likes of Face / Off and The Matrix trilogy. There we come to Keanu Reeves, perhaps not the first person you may have thought of to deftly wield guns and kick ass considering he came from Bill & Ted, but this good looking and decidedly cool actor soon garnered a reputation as the go-to guy for such movies.
He’s been fairly quiet for a while so this come-back vehicle seemed perfectly suited. He plays the title character who following the death of his wife, lives out a peaceful existence with his sleek muscle car and pet dog. However an unfortunate brush with a Russian gang causes a break in at his house, his car getting stolen and his dog to get killed. Only thing is, the gang had no idea who they were messing with.
Perhaps an unintentional homage to classic movie franchise Death Wish albeit with ultra-stylish action that borrows (to an extent) from John Woo … this also feels like it’s own beast, and is carried well by Keanu on ice-cool form as a non-stop killing machine. I sometimes think he’d have made a great Terminator. Support comes in the shape of Willem Dafoe’s seasoned veteran as well as a sultry, sexy Adrianne Palicki. On villainous duties is Michael Nyqvist (Ghost Protocol, The Girl With The Dragon Tattoo) who proves a more than suitable if clichéd mobster. The set-up is simplistic and the characters slight and under-developed … but for this kind of movie where action is king, we get several stylish, well-edited and gripping encounters, all with a little tongue-in-cheek humour thrown in. I also loved the backdrop of the ‘agency’ that looked after Keanu and his kind (featuring a cameo by Ian McShane) … certainly an idea that could be further developed in sequels.
As the directing debut of former stunt co-coordinator Chad Stahelski, this shows promise for a new visionary in the action movie field. Roll on the already announced John Wick 2.
After reading a review of this re-issue of an acclaimed comedy thriller of the 80’s I recalled seeing some of it late night on TV and always wanted to watching it fully. It follows the story of a bounty hunter / ex-cop Jack Walsh (Robert DeNiro) given the task of tracking down an accountant for the mob ‘the duke’ who has jumped bail and is worth a whole lot of money. The FBI want this guy as does the Mafia, and so on a trip from New York to LA it’s Jack’s job to keep him (and himself) alive.
Very much in the vein of similar eighties comedy thrillers like Beverly Hills Cop, this blends thrills and comedy well, along with a sharp, swear-heavy script that bounces off the page. The squabbling and bickering between DeNiro’s wise-cracking bounty hunter and Charles Grodin’s dead-pan ‘the duke’ forms the heart of this highly entertaining ‘caper’ road-movie. Granted sometimes it is a bit too heavy on the humour and you never really feel anyone is in particular danger, but with decent support from genre regulars John Ashton & Joe Pantoliano as well as well-rounded and fascinating characterisation for the principal leads (their relationship gradually and believably forming into friendship) – this is one 80’s movie that hasn’t aged quite as badly as others and makes for a genuine cult classic.
Sadly, the Blu-ray is a mixed bag. The image quality is decent for an eighties movie and colours and fine detail mostly impress throughout. The soundtrack though, in a choice of 2.0 stereo or 5.1 DTS HD Master Audio has occasional lip-sync issues that let down what is otherwise a crisp and punchy presentation. Extras consist of several new interviews, but no DeNiro (!) and a lack of a commentary means this isn’t exactly a home run.
So it seems to be another acclaimed actor’s turn to do the whole Taken thing with this Paris set thriller written by Luc Besson and directed by McG. Costner plays a CIA agent, who returns to Paris after a job goes wrong. Sound familiar yet? Oh but wait, Costner’s character has brain cancer and only an experimental drug and one last contract can save his life. Does he trust the sexy femme fatale CIA agent offering him a miracle cure, or does he settle for the quite life with his estranged wife & daughter? What do you think?
Costner handles the action well but also has to deal with a script that awkwardly juggles comedy and family bonding (let’s teach the daughter how to ride a bike, and yes there’s an African family squatting in Costner’s apartment…). It’s a strange tone for sure considering that some of the action is pretty full-on, fairly violent and intense. Amber Heard’s CIA agent is cool, mean and sexy but looks like she’s wondered off the set of an anime movie, lending little other than eye-candy and a lot of pouting. Oscar winner Hailee Steinfeld from True Grit is also quite wasted here, but tries her best. Thankfully then Costner who is probably mostly known as a supporting actor these days plods his way through very silly material fairly unscathed. But where’s the danger? Why doesn’t the daughter or ex-wife ever get kidnapped? And what’s the point other than for Costner to take a drug he accepts purely on good-will from a very dodgy woman with a gun?
With a couple of exceptions, these kind of European action movies are getting very tired, how the once talented Luc Besson pimps out script after script to once major actors clearly just after a pay cheque, is boarding on insulting. We as movie goers deserve better, and all the talent involved can certainly do better.
Sean Penn isn’t the first person that comes to mind when you’re talking action movies … he’s more your method actor thesp with a few decent performances under his belt. However with not a great deal to choose from at the cinema recently, this movie from the director of Taken (is that a trusted recommendation these days?) made for an intriguing prospect.
Penn plays a special forces operative in the Congo on a top secret mission where he is involved in the assassination of a politician. He subsequently goes into hiding following the hit and has to turn his back on his sultry girlfriend (Jasmine Trinca) and his best bud (Jarvier Bardem). Eight year’s pass and he’s working as an aid worker in a village when a hit squad recognise him and attempt to kill him. Scared and worried who might have been talking, Penn goes about tracking down his former colleagues in search of answers.
Penn is on fine form and handles some slick, violent action with ease – this is certainly a side we don’t normally see from him and like his predecessor Liam Neeson he acquits himself with honours. This surprises and shocks in equal measure with some brutal violence and an intense, nerve-wracking tone. A clever brain-injury plot device aside, It lacks the emotional wallop of Taken and Penn doesn’t quite have Neeson’s charisma, but buffed up and breaking skulls a plenty, he still does a decent job. Supporting cast especially Bardem as the grinning, shifty friend and a weary-looking but enjoyable Ray Winston add flavour and we even get Idris Elba as a shadowy Interpol agent.
It’s not about to spawn a franchise like Taken (thankfully) and probably won’t become a classic due to a sometimes confusing plot, but for fans of gritty, bone-crunching thrillers that don’t let up – this one is worth your time.
I haven’t been that interested in this 80s action hero revival that began with The Expendables movies (the first one was bad enough) as I felt there was too much of a nudge-nudge wink-wink attitude going on, that seemed to poke fun at the stars I had once adored. However this prison-set actioner looked a bit more serious, and well, what’s not to be appealed by a Sylvester Stallone and Arnold Schwarzenegger team up?
Stallone plays a guy who specialises in testing the security of prisons, and has been able to break out of every prison he has been planted in. However when approached by the CIA to test a top-secret facility, Stallone jumps at the chance to truly put his skills to the test. However everything is not quite as it seems, and soon he’s inside a high-tech prison even he is unsure can be escaped from. So he befriends fellow inmate Schwarzenegger who has an agenda of his own.
It’s a fairly complicated set up for what is basically a slightly more tongue-in-cheek ‘Escape from Alcatraz’. We get a shady warden who seems utterly corrupt, a psychotic henchman who takes too much pleasure in beating up inmates (a snarling Vinnie Jones) and a kindly doctor who takes an interest in Stallone & Arnie’s plight (Sam Neil looking a tad bored). The plot gets rather convoluted at times (such as the warden’s evil scheme, something to do with a banker?) – but we’re not here for meaningful characters or absorbing plot. What we do get is plenty of violence, action and intrigue as we watch our heavy-weight heroes devise plan after plan to escape their surroundings. Stallone struggles with the explain-to-the-viewer dialogue due to his almost incomprehensive drawl, and Arnie seems fairly tired and a shadow of his former self … until he gets a moment where he lays waste to a slew of bad guys with a high powered machine gun … complete with a knowing grin.
I had fun with this. It’s clichéd, gets pretty silly at times, but retains an 80s vibe of daft plot, maximum action such movies cut their teeth on back in the day. Entertaining nonsense that’s worth your time if you were ever a fan of these guys.