The Three Musketeers

Viewed – 31 May 2012  Blu-ray

The question that immediately springs to mind here is, do we really need another telling of the age-old Musketeers story?  Brought to the screen countless times with varying success, this is familiar and well trodden ground, and one may wonder just what a new adaptation can bring that we haven’t seen before.  Easy answer – lots and lots and lots of CGI.

Directed by the often underrated Paul W.S. Anderson (Resident Evil, Event Horizon) this starts well with a welcome swashbuckling introduction to Porthos (Ray Stevensen), Aramis (Luke Evans) and Athos (Matthew Macfadyen), who are double crossed by Aramis’ love interest Milady (Paul W.S. Anderon regular Mila Jovovich) resulting in the three heroes falling from grace.  Yet when a plot is uncovered to bring about war, the Musketeers team up with an ambitious but reckless young man called D’Artagnon (Logan Lerman).

Now you may have noticed the lack of star names amongst the cast there, and you wouldn’t be wrong.  Thankfully we have Christoph Waltz (Inglorious Basterdz) on hand to offer villainous duties as the cunning Cardinal Richelieu and a very camp Orlando Bloom as the Duke Of Buckingham, preventing the whole thing from descending into Z-List territory.  Sadly though, the feel here is more Monty Python than true blockbuster cinema, and despite some stylish cinematography, great set-design and well shot action – I failed to engage with the often plot-hole laden story or personality-free characters.  The less said about the cameo by Brit comedienne James Cordon and the talentless actress (is pouting a talent?) playing D’Artagnon’s love interest … the better.

As it stands, this was still fun and had some pretty cool sequences (who can’t enjoy two flying boats battling it out??) but lacked anything beyond its garish visual-overload to make me recommend it.  The forgettable Take That end-credits song says it all.  One for fans of the Musketeers only, Id say.

Verdict:  2 /5

Sherlock Holmes: A Game Of Shadows

Viewed – 26 May 2012  Blu-ray

The first Sherlock Homes movie I really enjoyed, as although looking back the casting of Robert Downey Jr didn’t seem obvious at first, I was pleased to see his chameleon-like acting skills suited the part immensely, helped by an equally adept Jude Law as Dr Watson.  So sitting down to another escapade with this likable duo was easy.  This one has Holmes and Watson up against their greatest ever foe, Professor Moriarty (a brilliant Jared Harris) who seems behind a series of bombings and assassination attempts.  Holmes leaps into action to piece the clues together and sets forth on an adventure that takes him from London to Paris and many other locales in an attempt to prevent a global catastrophe.

Downey Jr, easily one of my favourite actors is on brilliant form as Holmes, and his quips, excentric behaviour and plethora of increasingly bizarre disguises is a joy to behold.  Law is somewhat more subdued this time around but still manages to spar with his on-screen buddy amicably.  Joining the cast is The Girl With The Dragon Tattoo star Noomi Rapace who makes for a feisty action heroine.  Yet above all else this is director Guy Ritchie’s gig with some quite remarkable visual flourishes that enhance the wealth of action sequences and really stamp his identity on the movie.  He’s come a long way since Lock, Stock & Two Smoking Barrels and has grown into a director with real intelligence and  imagination.

The story does get a tad confusing and over-complicated at times, and the comedy is laid on a touch thick for my liking.  Yet as a follow-up to an already impressive adaptation of Sir Arthur Conan Doyle’s literary icon – this is every bit as good as that movie was, and in Moriarty has a villain that actually gives Holmes a run for his money this time around.

Verdict:  4 /5

Unknown

Viewed – 21 May 2012  Blu-ray

With Liam Neeson enjoying a sort of resurgence in popularity following a spate of hit thrillers, pretty much anything starring the Irish-born actor is essential viewing of late.  Although at the time this garnered very mixed reviews and seemed to be wrongly marketed as a cheap cash-in to Taken … therefore, I have been quite hesitant to check this one out.

Neeson plays Dr Martin Harris, on route to a summit in Berlin with his beautiful wife Liz (January Jones – Mad Men, X-Men First Class), who is involved in a car accident, and on awakening from a coma four days later, discovers that someone has taken his identity, and not even his wife recognises him.  A great set up, that although causing strong deja-vu with this viewer (Frantic, anyone?), immediately grabbed my attention.  As expected Liam Neeson is very good as the confused Doctor, handling car chases, fist fights and a compelling situation with ease.  Supporting him is a perfectly angelic January Jones and also a street-wise Diane Kruger as the cab driver who comes to Neeson’s aid.

Directed by Jaume Collet-Serra (Orphan) with similar slick production values and European setting to Taken, this may lack the emotional intensity of that movie and much of the ‘cool’ but still offers a gripping 2 hours of entertainment that’s really hard not to enjoy.  The ending did sort of screw with my perceptions, leaving me a tad conflicted … and the villains are out of the shady government cookie cutter.  Yet if you’re after an above average thriller with intrigue, twists and quality action, if short on surprises … this will do the job nicely.

Verdict:  3.5 /5

We Need To Talk About Kevin

Viewed – 17 May 2012  DVD

Following a life shattering ‘incident’ former career woman Tilda Swinton attempts to rebuild her life, but soon finds the past and the present are not things she can run away from.  Somewhere at the centre of her problems is Kevin, her troubled and disturbed teenage son.

Co-starring John C Reilly and based on the acclaimed book by Lionel Shriver, this intelligent drama kept me hooked with its clever direction and splintered narrative.  Directed by Brit Lynne Ramsey this is a thought-provoking and well acted movie with a particularly strong turn from Swinton even if the likable Reilly is a tad under-used.  I found the way the story was told, with the looming shadow of something bad having happened, but the viewer not being let in on what … was very unique.  Although a simple story at heart, the director’s often unnerving use of reoccurring sounds and colours (especially ‘red’) made this much more than the some of its parts.  I would have appreciated a bit more incite into the character of Kevin, what made him tick etc, and the ending although I guess realistic, left me asking too many questions.

Yet as an example of social commentary this certainly highlights issues all too real in our world, be it troubled children, un-supported parents or the dangers of allowing problems to get swept under the carpet.  Swinton’s character was heart-breaking and the young actor playing Kevin certainly has a career of nutcase roles to look forward to, with a fine line in evil stares.

Recommended.

Verdict:  4 /5

Off Topic: Garbage – Not Your Kind Of People

This isn’t a music blog.  I don’t review music.  Yet when it comes to my favourite band of all time … I am willing to make an exception.

Not Your Kind Of People is the long-awaited latest release from the alternative electonic-guitar rock combo that is Garbage, consisting of music producers Butch Vig, Steve Marker, Duke Erikson and singer Shirley Manson.  It has been seven years since their last album Bleed Like Me, and the band chose to take a hiatus due to the pressures of touring, studio interference and general fatigue.   Yet now they are back, and boy, am I glad they chose to return.

I got myself the deluxe version of the CD with four extra tracks, and overall this is a solid, confident and varied listen, consisting of anthemic tunes like ‘Big Bright World’ and ‘I Hate Love’ to more dream-like tracks such as ‘Bright Tonight’ (with more than a hint of Julie Cruise) and the hypnotic title track ‘Not Your Kind Of People’.  Personal faves are the opening, intense ‘Automatic Systematic Habit’ and the hard rocking ‘Battle In Me’ as well as the sultry-sexy Sugar.  Manson is on superb form vocally, and the boys have produced a quality experience full of samples, loops, warped effects and great riffs (especially in current single ‘Blood For Poppies’).  There seems no limit to the imagination in each track, and although I feel a couple of the tracks boarder on self-indulgence – for a band that have done nothing together for years, this could have been an out-dated mess.  Thankfully though, its a brilliant return to form, building on the sound I fell in love with all those years ago.

Welcome back guys, we missed you!

Verdict:  5 /5