So the Academy Awards has been and gone and did I take much interest? Not really. Awards ceremonies over the years have returned increasingly diminishing results, I mean isn’t it all just about what movie has the best PR?? Many movies, many very good movies have often not even got a nomination, let alone had a chance at winning – and the ones that do? Not always very deserving. Looking at the results below, I would say it’s been a fairly predictable year. 12 Years A Slave getting best picture? Considering the subject matter it was a simple choice, probably hitting home more than Captain Phillips. Cate Blanchet was very good in Blue Jasmine, even if it seemed a very academy-friendly performance. Leonardo DiCaprio, Martin Scorsese and The Wolf Of Wall Street never stood a chance – too much tits & coke. Oh and who didn’t see the technical and directing nods going to Gravity? That movie’s marketing campaign was all about the experience, the visuals etc.
Yet I mainly haven’t taken an interest in this year’s awards (or awards season) as simply put, I haven’t seen a great majority of the movies nominated, so difficult to really give an opinion. I hope to see Dallas Buyers Club at some stage, because of being a growing fan of Matthew McConaughey and Gravity is on my list for the near future (look out for a review sometime this weekend). So I will leave you with this year’s main winners, a few of the smaller categories omitted, because really, who concerns themselves with those?
Best Actor in a Leading Role
Matthew McConaughey (Dallas Buyers Club)
Best Actress in a Leading Role
Cate Blanchett (Blue Jasmine)
Best Actor in a Supporting Role
Jared Leto (Dallas Buyers Club)
Best Actress in a Supporting Role
Lupita Nyong’o (12 Years a Slave)
Best Animated Feature
Frozen (Chris Buck, Jennifer Lee, Peter Del Vecho)
Gravity (Emmanuel Lubezki)
Gravity (Alfonso Cuarón)
Best Foreign Language Film
The Great Beauty (Italy)
We’ve all been there, the anticipation, the excitement for a new adaptation of our favourite book or a continuation of a much loved franchise, only to have our hopes dashed when they announce who is playing who. See below a few such roles I think were badly miscast. Do you agree?
Kate Bosworth as Lois Lane in Superman Returns
There may be many things wrong with this misjudged sequel to the much loved Superman franchise, even if Kevin Spacey is kind of great as Lex Luthor … I’m sure few can forgive the overly moody, personality-free performance of Kate Bosworth as one of comic-book worlds most loved characters. Thankfully rectified in Man Of Steel’s Amy Adams.
Pernilla August as Shmi Skywalker in Star Wars Episode 1: The Phantom Menace
This is another movie that has many problems, but none more so than the meant to be earnest and emotional but actually wooden and amateurish performance of Anakin’s slave mother. Surely this could have added much needed weight to young Anakin’s story instead of just making this viewer cringe.
Val Kilmer as Batman / Bruce Wayne in Batman Forever
Personally my least favourite Batman movie, Jim Carey aside and yes I actually prefer Batman & Robin! But Kilmer here had no presence, no charisma and just didn’t suite either the dark knight or the playboy millionaire persona. Shudder.
Julian McMahon as Dr Doom / Victor Von Doom in The Fantastic Four
Yes he’s from Nip/Tuck and kind of pulls it off as a charming nutjob – but the Dr Doom of the comic-books was a hulking, muscle-bound overlord that no matter how much he tries, McMahon just can’t pull off. A poor-mans bad guy in what turned out to be a poor-man’s X-Men movie (that wasn’t an X-Men movie).
Timothy Dalton as James Bond in The Living Daylights
The looks, perhaps, but the wit and charm of either Connery or Moore? Not a chance. The follow-up movie Licence To Kill was at least a good story but Dalton was on borrowed time from the start and just didn’t deliver anything resembling the spy many of us grew up loving.
Daniel Craig as Mikael Blomkvist in The Girl With The Dragon Tattoo
Hot off the set of Bond, where he was surprisingly good, he steps into the shoes of actor Michael Nyqvist and lacked much of the believable emotion of Nyqvist’s performance in what turned out to be one of the most disappointing remakes in a long time – even in the hands of David Fincher.
Sylvester Stallone in Judge Dredd
As the recent Dredd proved this character demands a no-name star beneath that iconic helmet to truly become judge, jury and executioner. At the time Stallone was big business and he transformed what should have been a faithful comic-book adaption into another Stallone action-fest. Not a good one at that.
Thought I would express on here my love of foreign cinema, and although I don’t get to watch as much as I would like, there have been some real gems over the years. It is sad whenever I mention foreign (or world) cinema to anyone who isn’t exactly a cinefile, they immediately say ‘Is it subtitled?’ to which my answer is normally ‘yes’ and their reaction is to be instantly put off. It makes me sad. However if such things don’t bother you all that much, then the list below has some good titles to check out…
Tell No One
Based on the novel by Harlan Coben this mystery thriller follows the story of a Doctor mourning the death of his wife, who one day contacts him via email. A great cat and mouse whodunit with ruthless villains and a storyline that keeps you guessing to the end. A great on foot chase and superb use of U2’s ‘With Or Without You’.
Discovered this during my ‘have to watch everything Hong Kong related’ phase back in the 90’s. Yet in complete contrast to the John Woo action movies I had become addicted to, this was a sweet love story about different people and how their lives have an effect on one another. Beautifully filmed by cinematographer Christopher Doyle to clever, multi-layered direction by Wong Kar Wai.
Howl’s Moving Castle
Hayao Miyazaki … surely no need for explanation here. I think this magical, highly imaginative fantasy based on the children’s book by Diana Wynne Jones and with glorious hand-drawn animation … is a joy. I may even go as far as saying it’s my favourite Studio Ghibli movie, with a little less Japanese oddness compared to the more famed Spirited Away.
Stop reading this if you have seen the lacklustre remake ‘Quarantine’ starring that woman out of Dexter … this is a majorly scary, hand-held camera / found footage horror in the style of The Blair Witch Project but so much better. Superb, fast-paced direction from Jaume Balagueró & Paco Plaza – the sequel is pretty awesome too.
Sympathy For Mr Vengeance
The second movie I had seen by acclaimed director Park Chan-wook (Oldboy, Stoker), and making up the first part of his famed ‘vengeance trilogy’. This harrowing tale of human organ trafficking, revenge and a deaf & dumb protagonist trying to save the life of his ill sister, is raw, very violent and powerful. Made me think a lot afterwards about right and wrong etc.
The Girl With The Dragon Tattoo
Kind of an obvious one and in my opinion superior to the recent remake and also its two sequels. A mystery involving a missing woman, a cool computer hacker with a troubled past and a disgraced journalist. Excellent, career making turn from the wonderful Noomi Rapace.
Let The Right One In
Based on the controversial novel by John Ajvide Lindqvist and with superb, understated direction from Tomas Alfredson (Tinker Tailor Soldier Spy), another that is superior to the remake and with a touching love story at it’s heart between two lost souls. One of the finest horror movies of the last decade.
The movie that put famed action director John Woo on the map. Chow Yun Fat as a charming hitman who accidentally blinds a singer in a club during a hit. Danny Lee is the tough cop out to catch him but discovers more than he expected. Superb action sequences with Woo’s trademark slow-motion gunplay, and a touching story of guilt and redemption that went on to shape much of Woo’s career.
One of my all time favourite foreign movies. A tale of free-spirited Betty and her struggling-writer boyfriend during a wild road trip. It’s French, its full of sex and nudity and became a cult favourite during the late eighties. Béatrice Dalle is magnificent and extremely sexy in the lead role.
Guilermo Del Toro may be more known overseas as the man behind the Hellboy movies, but on his own turf he makes intelligent, often hauntingly beautiful movies most notably this acclaimed fantasy that crosses real world horrors of civil war with the imaginary world of a girl’s imagination. Beautiful imagery, great special effects and strong performances makes this a true classic.
If you’re one of the crowd that just don’t do movies in a foreign language, can’t abide subtitles etc … I really urge you to give at least one of the titles above a day in court. World Cinema can be braver, more daring and just as well made as anything from the states.
Those more than familiar with these types of movies … what are some of your favourites? Any recommendations? Leave your comments below…
Viewed – 11 February 2014 Cinema
Yes I had my reservations going into this. Remakes… will Hollywood ever just leave things alone? But I digress. This new version of the 1987 classic action-thriller stars relative unknown Joel Kinnaman as ill-fated gutsy cop Alex Murphy hot on the heels of a drug kingpin. Yet after disaster strikes, leaving him in critical condition, the shady robotics company Omnicorp come up with the idea of turning him into their new machine on the Detroit mean streets … that’s right, RoboCop!
Michael Keaton (yes…Michael Keaton!) plays a business man who following a law prohibiting machines being aloud to enforce the law on U.S. soil, turns to a scientist (Gary Oldman) who may just be able to put a friendly face to his master plan. Co-starring Jackie Earle Haley as a weapons tech guy whose a bit of a nutter himself, and the delectable Abbie Cornish (Sucker Punch) as Murphy’s wife – this has some good star appeal. With a more family-friendly rating we’re not going to get the hardcore bloodshed of the original (and it tells) but this does go for a very different flavour, focusing more of the Murphy attempting to hold onto who he is (or was) rather than the sleaze and excess of the Paul Verheoven movie.
Action is fairly frequent, with some decent effects (the robots look great) even if the training, testing and development of RoboCop seems to go on forever. Also the lead bad guy is a no-name charisma-free presence that can’t hold a candle to Kurtwood Smith’s Clarence Bodikker. Thankfully then, the movie chooses to focus more on OmniCorp and the morality than the drug dealers.
When switching off from the original this can be enjoyed quite easily on its own merits as a slick, imaginative and fun experience, filled with good performances (even Kinnaman in a tricky role) and some star names (Samuel L. Jackson crops up as a media guru – even if he’s not exactly stretched).
Likable, lightweight but worth seeing. Definitely in a lower league, but a nice tribute all the same.
Verdict: 3 /5
Top Ten lists are sort of something I enjoy doing, especially at the end of each year. But Top Ten Favourite Movies of all time? Harder. I used to have a list a while back of which some of the movies below used to appear on. Yet I gave up putting them in a particular order as they are so different some of them, comparing is impossible. So find below Ten movies I think have had the greatest effect on me, either growing up, inspiring me (writing, movie tastes) or just hitting me on an emotional level.
Made me a big fan of the movies of David Fincher and has arguably Edward Norton’s finest turn. Style, effects work in a movie that didn’t need it, a great soundtrack, that twist and endlessly quotable.
Emotional, heart-wrenching, funny, touching with one of Eastwood’s best performances. The cast of newcomers surrounding him are also first-rate.
Complex and twist-filled with three stunning performances (especially Naomi Watts) and a script that is quite literally genius. Tough going but well worth the journey.
Possibly still my all time favourite movie. The dialogue is amazing, funny, very cool and believable. The sound track is stuff of legend and performances across the board are superb.
Natalie Portman’s debut. Ice-cool, Gary Oldman’s looniest but greatest villain, Jean Reno as a lovable assassin and Luc Besson on stunning form.
All of Woody Allen’s best ideas, cleverest dialogue and touching observations rolled into one perfect movie. Diane Keaton is excellent and Allen has never been funnier.
Terminator 2: Judgement Day
James Cameron fully realising Terminator … stunning effects work, amazing action sequences, Arnie at his best, Linda Hamilton as the most bad-ass female role model since Ellen Ripley. The ultimate sci-fi blockbuster.
Weird but one of David Lynch’s most coherent works, with a great cast (Hopper is just plain nuts) and haunting music and a dream-like atmosphere. Sexy and disturbing just how Lynch should be.
The finest gangster movie ever made, fast, packed with ideas, dialogue, people getting wacked, great dialogue and great performances throughout. Martin Scorsese at his very best.
Stunningly filmed, creepy as hell, scary, with an amazing Jack Nicholson and a true directing auteur in the shape of the late Stanley Kubrick. The best horror movie ever made? Quite possibly.