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Viewed – 20 March 2010  Blu-ray

I would generally say you can’t go wrong with the movies from Disney animation house Pixar.  The guys responsible for such gems as Toy Story, Monsters Inc and The Invincibles.  Yet of course sometimes they can fall a little short, such as the over-long and not terribly interesting Cars.  So how does this one shape up?  The story follows an elderly man who decides to realise a lifelong dream of visiting South America, and escapes being dragged off to a retirement home by turning his house into a balloon powered flying blimp. 

This admittedly bizarre premise is brought down to earth by a very human story of ambition and regret, of the things we always said we would do one day, but never get around to, and also about discovering that life has more to it than one hopeless dream.  The character of Carl Fredrickson is a likable old rascal that carries the film, and you definitely believe in his story, even if it feels ultimately tragic.  Also along for the ride is an adventure hungry boyscout called Russell who opens Carl’s eyes to other wonders along the way, like a hapless dog with a speaking collar and an endangered exotic bird being hunted by an old adventurer who bares more than a passing resemblance to Kirk Douglas.  Granted, the story gets a little weak when it moves into action / adventure territory (shocking, I know), and I was more interested in Carl realising his dream than saving some bird, and the repeated gag of the talking dog wears thin very quickly.  It’s a shame then that this one lacks some of the comedy of other Pixar movies, and can’t quite hold a candle to the brilliant Wall-E for unabashed ‘awww’ moments, but what it does is tell a fun story with some brilliant moments and likable characters, all wrapped up in Pixar’s unapologetic, gorgeous visuals – that excel in HD, not that you were expecting anything less.

Verdict:  3 /5

Shutter Island

Viewed – 18 March 2010  Cinema

With a director who has worked with some of the greatest actors of our time, Martin Scorsese’s on-going partnership with Leonardo DiCaprio seems a marriage made in heaven, most brilliantly realised in The Aviator.  This latest offering has the director tackling a more Hitchcockian thriller with elements of Stephen King meets David Lynch, and the result?

DiCaprio plays a U.S. Marshal called to a psychiatric hospital on a remote island in the 1950s.  A female patient has vanished in mysterious circumstances, and he and his partner (Zodiac’s Mark Ruffalo) must figure out what has gone on while at the same time mix with a group of doctors and psychiatrists – headed by Ben Kingsley on brilliant form.  But DiCaprio has his own agenda, as he believes the man responsible for his wife’s murder some years previous is housed on the island.  Yet as this is Scorsese, an at first simple story boasts something all the more intriguing and to be honest, wierd as we are subjected to disturbing flashbacks of German concentration camps, freaky hallucinations of DiCaprio’s dead wife (Dawson Creeks Michelle Williams) and it soon transpires – nothing is quite what it appears to be, both as far as the investigation goes and the movie as a whole.

Martin Scorsese has crafted a mind-boggling but striking movie, full of twists and turns and with some incredible imagery, that although more disturbing than frightening still left this viewer unnerved.  There are moments in this one that will stick with you, some imaginative effects work and a foreboding, orchestral score that really hammers home the dark and unsettling atmosphere created by the island and the gothic psychiatric hospital that harks back to The Shining for being a character in its own right.

Definitely one of the cleverest movie’s I’ve seen for a while.

Verdict:  4 /5

Final Fantasy XIII – impressions

Let me begin by saying that I have only played a few hours of this latest epic RPG from developer Square-Enix.  The last game in the series I played was Final Fantasy VIII, and before that the much celebrated Final Fantasy VII.  None of which I might add, did I complete.  I have never completed an RPG as they tend to be games you keep in your collection from months, at first addicted to and then just dipping in and out of as their initial wow-factor wains.

Over five years in the making, from the minute I switched on, it was clear to me that this was something special.  From the production values, including beautiful CG movies and breath-taking scenery, to the finely detailed character and enemy art, there has clearly been a lot of time and money spent on crafting this game.  To play it is basically a gradual learning curve with a detailed tutorial system to get your head around an at first, basic battle system that allows you to attack enemies in real-time with the use of the ATB (Active Time Battle) gauge, an ever increasing metre on the screen that fills up and in the time it takes to fill you must assign attacks to unleash on your enemies.  Anyone used to the mechanics of RPG games will take to the system straight away, and thankfully not too much is expected from the player from the off-set, more over the system increases in complexity as your progress, and you’ll grow your understanding of it as you play.

I only really struggled when I had to fight my first major boss character, and had to hone my skill at the system, which admittedly took some doing.  You see the system is all about knowing how to time your attacks and defence correctly – grasp this and you’ll be making your way past deadly enemies in no time, but the complexities don’t stop there, as there is also a very deep upgrading system to improve your characters abilities and weapons, which will surely see me getting enthralled for months to come.

The game itself is centred around a group of (as ever) likable, colourful characters, lead by Lightening, a female soldier who becomes embroiled in a struggle against warring factions from two different planets; Cocoon and the barely explored, much feared home world of Pulse.  The story is typical of Japanese RPGs, complicated, emotional and very hard to explain – so google it if you are curious.  I personally am loving it, and am really enjoying the branching storylines of the various characters – which certainly keeps proceedings interesting.

(Update: 17/03/2010):

Well I am about 12-13 hours into the game, and although the game felt somewhat dumbed down from previous installments, I was kept hooked by the graphical splendour and the story, and now I have hit the 10+ hour mark, the game’s complexities are beginning to reveal themselves.  I’ll warn you – this game is a grower, and if you’re initially after a deep and complex RPG from the get-go, this will at first seem rather basic.  But fear not!  I assure you with the crystarium, the weapon-upgrading and the battle system with the gradual addition of summons, this turns into the Final Fantasy that fans have adored for years.  I defend the choice to go linear for those that aren’t used to the style of RPG games, and to be honest from my own experience with them, they can be rather alienating unless you have lots of time and patience, which in this day and age, few do, especially with other commitments like work or school.  I salute Square-Enix for designing a game that pulls you in slowly, doesn’t blind you with complicated gameplay mechanics, but settles you in before revealing it’s intricacies.  You may feel like it’s too linear or dumbed down, but it’s far from that, it’s just trying to appeal to a wider audience, and for once loosing none of its identity in the process.

The Hangover

Viewed – 12 March 2010  Blu-ray

Heard some good things about this one, and the trailer was great… a group of friends wake up after a bachelor party in Las Vegas only to discover they can’t remember anything from the previous night, and to top it all, they have lost the groom.  So begins a frantic quest to retrace their steps and figure out just what happened before it’s too late.  With the clock ticking, a wedding to turn up to in one piece, the three friends discover alarming event after alarming event and this viewer was smiling and laughing all the way through.

Bradley Cooper leads the band of merry idiots, one a straight-laced dentist, the other a nerdy guy with a beard, and himself a school teacher, and despite some outrageous situations, I found myself totally believing in these likable characters.  The comedy is not laid on too thick (and thankfully doesn’t rely on tiolet humour), and it isn’t laugh out loud funny, but it remains very entertaining, vibrant stuff, even if at some points I was left wondering exactly how they got into particular situations in the first place which isn’t fully explained.  Heather Graham is woefully under-used as a stripper who gets caught up in proceedings, and support characters are reduced to stereotypes such as the asian gangsters -  yet we also have some spot on movie referrences and a concept that does at least keep you guessing.  As ever with movies set in sin city, this is a treat for the eyes, especially on Blu-ray where the HD visuals really jump out of the screen, and the soundtrack is fun if not particularly memorable.  I must also say a cameo from Mike Tyson is priceless.

So if you’re after a fun, undemanding but likable comedy – this will do the job perfectly.

Verdict:  4 /5

Corey Haim dies!

Very sad news this morning on the death of eighties teen actor Corey Haim.  I was certainly a fan especially with his roles in movies like The Lost Boys and Licence To Drive, both of which formed part of a lengthy career with fellow actor Corey Feldman.  Feldman was on Larry King Live to offer his opinion on the current mystery surrounding his friend’s death.

R.I.P.

Corey Haim

1971 – 2010